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The Room Is Closed - Signed Print by Tracey Emin 2013 - MyArtBroker

The Room Is Closed
Signed Print

Tracey Emin

£800-£1,200Value Indicator

$1,700-$2,550 Value Indicator

$1,450-$2,200 Value Indicator

¥7,500-¥11,000 Value Indicator

950-1,400 Value Indicator

$8,000-$12,000 Value Indicator

¥150,000-¥230,000 Value Indicator

$1,000-$1,550 Value Indicator

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Etching

Edition size: 200

Year: 2013

Size: H 37cm x W 38cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Tracey Emin’s The Room Is Closed (signed) is estimated to be worth between £800 and £1,200. This etching, created in 2013, has shown consistent value growth, with an average annual growth rate of 3%. This work has an auction history of 19 total sales since its entry to the market on 24th February 2021. The hammer price over the last 12 months has ranged from £523 in December 2022 to £1,400 in January 2023. The edition size of this artwork is limited to 200.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
March 2025Tate Ward Auctions United Kingdom
September 2024Tate Ward Auctions United Kingdom
May 2024Tate Ward Auctions United Kingdom
October 2023Chiswick Auctions United Kingdom
September 2023Bonhams Knightsbridge United Kingdom
March 2023Rosebery's Fine Art Auctioneers United Kingdom
January 2023Lyon & Turnbull Edinburgh United Kingdom

Meaning & Analysis

Moody and angsty, The Room Is Closed is a witty print about having your access denied. The snarky look on the two female figures sat at the table gives the print its sulky overtone. With their elbows haphazardly etched onto the table, and the figure on the right’s downturned mouth, the work makes a mockery of these two unfriendly figures. Like the majority of Emin’s oeuvre, the work is likely based on an experience Emin has had in her life, making these subjects all the more pitiable.

  • Tracey Emin, born in 1963, stands as a fearless provocateur in the contemporary art scene. A trailblazer of the Young British Artists (YBA) movement in the late 1980s, the artist has sparked conversation and controversy for decades. Confronting themes of love, trauma and femininity with great vulnerability, Emin's work is a visceral tapestry of her life and has forged an intimate dialogue between artist and audience. In 1999, this raw approach to storytelling won her a nomination to the Turner Prize and, in 2007, it got her a coveted spot as a Royal Academician at the Royal Academy of Arts (RA).