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Standing Figure (teal) - Signed Print by Stik 2015 - MyArtBroker

Standing Figure (teal)
Signed Print

Stik

£650-£950Value Indicator

$1,400-$2,000 Value Indicator

$1,200-$1,700 Value Indicator

¥6,000-¥9,000 Value Indicator

750-1,100 Value Indicator

$6,500-$9,500 Value Indicator

¥120,000-¥180,000 Value Indicator

$850-$1,200 Value Indicator

3% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Year: 2015

Size: H 76cm x W 24cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Stik's Standing Figure (teal) (signed) is estimated to be worth between £650 and £950. This lithograph print, created in 2015, has shown consistent value growth, with an average annual growth rate of 3%. This work has an auction history of 18 total sales since its entry to the market in May 2018. Over the past 12 months, the average selling price was £660, across 3 sales. In the last five years, the hammer price has ranged from £400 in September 2023 to £1,600 in July 2022. The edition size of this artwork is not publicly available.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2024Rosebery's Fine Art Auctioneers United Kingdom
September 2024Rosebery's Fine Art Auctioneers United Kingdom
July 2024Chiswick Auctions United Kingdom
November 2023Tate Ward Auctions United Kingdom
November 2023Forum Auctions London United Kingdom
September 2023Forum Auctions London United Kingdom
July 2023Tate Ward Auctions United Kingdom

Meaning & Analysis

The six-line Stik man has taken on a considerably greater importance than Stik had initially intended, having come to represent the feeling of isolation and vulnerability that may result from urban isolation. The lone stickman is perhaps the most prominent theme in Stik's body of work, making it an appropriate inclusion as in the artist’s coffee table book.

Of the book, Stik explains that one of the primary motivations for the production of the publication was a growing understanding of the link between his work and the community around it that had developed over time, characterised by the proliferating presence of his lone stickmen in the cityscape.

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