Stedelijk Museum Poster
Stedelijk Museum Poster
Signed Print
Roy Lichtenstein
£2,150-£3,150
$4,050-$6,000 Value Indicator
$3,650-$5,500 Value Indicator
¥19,000-¥27,000 Value Indicator
€2,450-€3,600 Value Indicator
$21,000-$30,000 Value Indicator
¥360,000-¥530,000 Value Indicator
$2,700-$3,950 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 1000
Year: 1967
Size: H 64cm x W 79cm
Signed: Yes
Format: Signed Print
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| Sotheby's London - United Kingdom | Stedelijk Museum Poster - Signed Print | ||||
| June 2018 | Galerie Kornfeld - Germany | Stedelijk Museum Poster - Signed Print | |||
| March 2017 | Rachel Davis Fine Arts - United States | Stedelijk Museum Poster - Signed Print | |||
| November 2006 | Germann Auctions - Switzerland | Stedelijk Museum Poster - Signed Print |
Meaning & Analysis
Roy Lichtenstein’s Stedelijk Museum Poster from 1967 is an offset lithograph in deep red, bright yellow, and crisp black. The work was commissioned by the Stedelijk Museum in Amsterdam and used to advertise the artist’s first solo exhibition held in Europe that year.
The print mimics the emblematic signage used in newspapers and comic strips and precedes Lichtenstein’s two-part Industry And The Arts sequence of 1969. The work reflects the trivialisation of culture in societies increasingly dominated by mass production. Using strident pigments and precise patterns, Lichtenstein ironically integrates industrial sentiments with symbolic references of cultural heritage.
The canvas is divided into four sections by oblique lines cutting across it. Starting at each corner, the pieces meet in a splintered compass-like structure in the middle. Lichtenstein portrays the intersection of separate worlds and eras, illustrating the dual objectives that dominate contemporary living.
The top and bottom triangles show abstracted images of industrial enterprises and the potential of progression. Meanwhile, the left and right corners point to the enduring influence and history of the arts. The vivid and contrastive colour scheme used to depict the future ahead stands in stark contrast to the dotted and fading graphics representing past conventions and legacies.