Name: Street Scene
Brand: L S Lowry
Rating: 5 (231 reviews)

Track auction value trend

The value of L S Lowry's Street Scene (signed) is estimated to be worth between £1,850 and £2,750. This lithograph print from 1961 has shown consistent popularity, having been sold 42 times at auction since its entry to the market in March 2005. In the last 12 months, the average selling price was £2,000, across 2 total sales. Over the past five years, the hammer price has varied from £1,000 in July 2023 to £5,500 in February 2023. The artwork has demonstrated an average annual growth rate of -10%. The edition size of this work is limited to 850.

Auction Date

Auction House

Location

Hammer Price

Return to Seller

Buyer Paid

March 2024

Gorringes

United Kingdom

December 2023

Woolley & Wallis

United Kingdom

November 2023

Bellmans, Sussex

United Kingdom

September 2023

Tate Ward Auctions

United Kingdom

September 2023

Mellors & Kirk

United Kingdom

August 2023

Fonsie Mealy Auctioneers

Ireland

July 2023

Ross's Fine Art Auctioneers

United Kingdom

Meaning & Analysis

L. S. Lowry’s print Street Scene from 1961 is a portrait composition showing a view of a street in an industrial inner city. This print is a vivid record of life in industrial northern England, marked by the smokestack at the top of the composition, with crowds of people walking up the hill towards the factory buildings in the backdrop.

Visible in this print is Lowry’s stiff consistency in his choice of paint and the way in which he used it. Lowry painted with Winsor & Newton Winton Oil Colour throughout his entire career and used the paint straight from the tube. Using a very limited colour palette, Lowry said of his choice of materials, “I am a simple man, I use simple materials: ivory black, vermilion, Prussian blue, yellow ochre, flake white and no medium.” In Street Scene it becomes clear that Lowry’s unique painterly style worked to produce modest, yet vividly realistic industrial scenes.

In this print there are no shadows cast from Lowry’s highly stylised figures and along with the artist’s use of white paint for the ground and sky, this gives the impression that there is no sunlight in this scene. The lack of sunlight gives the scene a melancholy tone, as though the smoke from the mills have seeped into the atmosphere, characterised by what art historian John Rothenstein called ‘a kind of gloomy lyricism.’