The Pond
The Pond
Signed Print
L S Lowry
£2,150-£3,200
$4,200-$6,500 Value Indicator
$3,800-$5,500 Value Indicator
¥20,000-¥29,000 Value Indicator
€2,600-€3,850 Value Indicator
$21,000-$30,000 Value Indicator
¥420,000-¥620,000 Value Indicator
$2,700-$4,050 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 850
Year: 1974
Size: H 43cm x W 58cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2024 | Bonhams New Bond Street - United Kingdom | The Pond - Signed Print | |||
| September 2024 | Rosebery's Fine Art Auctioneers - United Kingdom | The Pond - Signed Print | |||
| August 2024 | Sworders - United Kingdom | The Pond - Signed Print | |||
| July 2024 | Chiswick Auctions - United Kingdom | The Pond - Signed Print | |||
| June 2024 | Bonhams New Bond Street - United Kingdom | The Pond - Signed Print | |||
| June 2024 | Gorringes - United Kingdom | The Pond - Signed Print | |||
| February 2024 | Chiswick Auctions - United Kingdom | The Pond - Signed Print |
Meaning & Analysis
The Pond is a quintessential example of one of Lowry’s urban landscapes. The composition includes many of the typical Lowryan elements such as smoke rising from factories and chimneys, houses with little balconies and a mass of his matchstick figures scurrying across the urban scene and public space. Lowry was interested in mapping the effects of the Industrial Revolution on the changing face of Victorian England, however through highlighting the darker side of this progress in terms of the constant fatigue and psychological pressure that comes with such an acceleration of all aspects of life and work. In fact, the artist himself considered The Pond to be his best industrial landscape. In his own words in a letter written in 1956: “This is a composite picture built up from a blank canvas. I hadn’t the slightest idea of what I was going to put in the canvas when I started the picture, but it eventually came out as you see it. This is the way I like working best”.
