The Story Of Red And Blue 18
The Story Of Red And Blue 18
Signed Print
Keith Haring
£2,450-£3,650
$4,950-$7,500 Value Indicator
$4,400-$6,500 Value Indicator
¥22,000-¥35,000 Value Indicator
€2,950-€4,400 Value Indicator
$24,000-$35,000 Value Indicator
¥480,000-¥720,000 Value Indicator
$3,050-$4,550 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 90
Year: 1989
Size: H 56cm x W 42cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2024 | Wright | United States | |||
| December 2017 | Forum Auctions London | United Kingdom | |||
| June 2014 | Karl & Faber | Germany | |||
| July 2013 | Christie's New York | United States |
Meaning & Analysis
Presented in the format of a children’s storybook, The Story Of Red And Blue 18 is a print from Keith Haring’s The Story Of Red And Blue series from 1989. This signed lithograph is a limited edition of 90.
Representative of Haring’s desire to create a visual language that appealed to both children and adults alike, the series is formed of a variety of simplified images reminiscent of children’s fictional characters. Throughout the series Haring limits his colour palette to bright red and blue and renders each image in his distinctive linear style with black rounded lines.
The Story Of Red And Blue 18 shows a comical image of a human-like rabbit, kneeling on the ground and waving. It’s face is outlined in thick, blue brushstrokes and the character has a bright red nose. Depicted through the use of simplistic shapes and bright, block colour, this print is a playful and appealing image that is reminiscent of a children’s storybook illustration.
Across the first half of the series, each print alternates in colour between red and blue and by this point in the series, the two colours appear together in the prints. In each print Haring uses simplified and generic pictograms to produce the effect of a children’s story book without a sensical storyline, where instead the story seems to focus abstractly on the colours red and blue.
