The Blueprint Drawings 10
The Blueprint Drawings 10
Signed Print
Keith Haring
£35,000-£60,000
$70,000-$120,000 Value Indicator
$60,000-$110,000 Value Indicator
¥320,000-¥550,000 Value Indicator
€40,000-€70,000 Value Indicator
$350,000-$590,000 Value Indicator
¥6,840,000-¥11,730,000 Value Indicator
$45,000-$80,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 33
Year: 1990
Size: H 108cm x W 132cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2016 | Phillips New York - United States | The Blueprint Drawings 10 - Signed Print | |||
| December 2005 | Ketterer Kunst Hamburg - Germany | The Blueprint Drawings 10 - Signed Print |
Meaning & Analysis
This signed screen print from 1990 is a limited edition of 33 from Keith Haring’s The Blueprint Drawings series. The Blueprint Drawings 10 shows an unusual composition of frames that border the print, leaving a blank square in the centre. The frames show a number of figures, cars, a telephone and the barking dog motif, depicted in Haring’s trademark linear style with bold, black lines against a white backdrop.
Alongside a number of Haring’s most recognisable symbols rendered in his simplistic visual language, the print includes the artist’s radiant baby motif at either side of the print. The symbol first emerged in Haring’s work during his days as a subway artist in New York, where he used the radiant baby in place of his signature, known as his ‘tag’, on public art projects.
Originally produced as unique works on paper with Sumi ink, Haring displayed these works in a one-week exhibition in Manhattan in 1980 where not a single drawing was sold. However, he did find success in the sale of several blueprint copies of the original drawings and so revisited the subject in 1990, a month before his tragic death creating a portfolio of 17 screen prints of the original images.
