Totem
Totem
Signed Print
Keith Haring
£50,000-£110,000
$100,000-$210,000 Value Indicator
$90,000-$190,000 Value Indicator
¥460,000-¥1,010,000 Value Indicator
€60,000-€130,000 Value Indicator
$490,000-$1,080,000 Value Indicator
¥9,780,000-¥21,510,000 Value Indicator
$60,000-$140,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Woodcut
Edition size: 60
Year: 1989
Size: H 88cm x W 65cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2024 | Bukowskis, Stockholm - Sweden | Totem - Signed Print | |||
| May 2023 | Bonhams New York - United States | Totem - Signed Print | |||
| August 2020 | Lempertz, Cologne - Germany | Totem - Signed Print | |||
| December 2019 | Ketterer Kunst Hamburg - Germany | Totem - Signed Print | |||
| June 2019 | Phillips London - United Kingdom | Totem - Signed Print | |||
| June 2018 | Ketterer Kunst Munich - Germany | Totem - Signed Print | |||
| April 2016 | Bonhams Los Angeles - United States | Totem - Signed Print |
Meaning & Analysis
This signed etching from 1989 is a limited edition of 60 by Keith Haring. Totem shows an image of a human-like figure, filled with a frenzy of shapes and smaller figures to form a symmetrical pattern. Reminiscent of Aztec or Aboriginal art, Haring uses red and black lines to form the print that is cut into three sections.
Explaining why many of his works resembled Aztec or Aboriginal art, Haring has said “My drawings don’t try to imitate life; they try to create life, to invent life,” something that he believed to be a so-called primitive idea. Totem is exemplary of this notion by creating a rhythmic, all-over composition that focuses on symmetry rather than realism. Using simplified line and intuitive form, Haring produces an appealing image that excites the viewer and transcends reality.
Much of Haring’s works are untitled as he wished to leave interpretation to the viewer. This woodcut, Totem, is related to Haring’s interest in forging a link between the imagination of the artist and the audience due to its ambiguous form and subject. The artist’s simplicity in line and pattern appeals to children and adults alike, something that is in keeping with his desire to create a truly public and accessible form of art.