Portrait Of Joseph Beuys
Portrait Of Joseph Beuys
Signed Print
Keith Haring
£4,100-£6,000
$8,500-$12,000 Value Indicator
$7,500-$11,000 Value Indicator
¥40,000-¥50,000 Value Indicator
€4,950-€7,500 Value Indicator
$40,000-$60,000 Value Indicator
¥780,000-¥1,140,000 Value Indicator
$5,000-$7,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 90
Year: 1986
Size: H 64cm x W 31cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2024 | Bonhams Los Angeles | United States | |||
| January 2023 | Phillips London | United Kingdom | |||
| November 2022 | Bonhams New York | United States | |||
| September 2022 | Phillips London | United Kingdom | |||
| June 2022 | AAG: Arts & Antiques Group | Netherlands | |||
| May 2022 | Bonhams New York | United States | |||
| November 2021 | Bonhams New York | United States |
Meaning & Analysis
This signed screen print from 1986 is a limited edition of 90 by Keith Haring from the For Joseph Beuys Portfolio. This print features a portrait of the famous artist Joseph Beuys, rendered in Haring’s simplified, linear style, Beuys' face merged with the trunk of an oak tree.
Haring’s print Portrait of Joseph Beuys (1986) is from a portfolio of 30 works by various artists to commemorate the death of Joseph Beuys’ in 1986, one of the most influential artists of the second half of the 20th century. The portfolio was jointly published by Bern Klüser and Jörg Schellmannm, who had both worked with Beuys in the past, to honour his crucial and outstanding artistic achievements.
In this print Haring references Beuys’ immense land art project 7000 Oaks – City Forestation Instead of City Administration whereby 7000 oak trees were planted in Kassel, Germany over the course of five years. Haring merges Beuys’ face with a trunk of an oak tree to pay homage to this work, using rounded brown lines against the organic looking canvas beneath.
Portrait of Joseph Beuys is starkly different to much of Haring’s other works in its explicit depiction of a real person’s face and subdued colour palette. The simplification of form and line in the image is typical of Haring’s work and the way in which the lines of tree bark seem to dance off the page is reminiscent of some of the artist’s more dynamic works.