Da Vinci (complete set)
Da Vinci (complete set)
Signed Print
Jean-Michel Basquiat
Price data unavailable
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
The complete set of five screen prints in colors, on Okawara paper. S. 88.6 x 76.2 cm (34 7/8 x 30 in.). Numbered in an edition of 45 and dated 1983.
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| October 2022 | Phillips London | United Kingdom | |||
| March 2022 | Tate Ward Auctions | United Kingdom | |||
| October 2021 | Phillips New York | United States | |||
| January 2017 | Sotheby's Hong Kong | Hong Kong | |||
| December 2013 | Phillips London | United Kingdom | |||
| December 2011 | Christie's Paris | France | |||
| December 2010 | Phillips London | United Kingdom |
Meaning & Analysis
Da Vinci (complete set) is a screenprint triptych by Jean-Michel Basquiat, created in 1983. This artwork combines abstract and anatomical elements, showcasing Basquiat's intrigue with Renaissance art and the human form. As part of his acclaimed Neo-Expressionist style, this set illustrates his distinctive ability to weave historical influences into contemporary narratives.
Basquiat’s Da Vinci exemplifies his unique Neo-Expressionist approach. Created in 1983, this artwork features intricate lines and anatomical motifs, heavily influenced by Leonardo da Vinci’s studies of human anatomy. The warm cream Japan paper serves as a tactile backdrop, allowing the vibrant, expressive strokes to emerge with a sense of immediacy. Central to the composition are skeletal and muscular forms, rendered with a sense of urgency and dynamism that captures Basquiat's fascination with the human body. The piece reflects a dialogue between past and present, mirroring themes present in Basquiat's broader body of work while also highlighting his innovative commentary on urban culture.