Indian View L
Indian View L
Signed Print
Howard Hodgkin
£1,000-£1,500
$2,000-$3,000 Value Indicator
$1,800-$2,700 Value Indicator
¥9,000-¥13,500 Value Indicator
€1,200-€1,800 Value Indicator
$9,500-$14,500 Value Indicator
¥190,000-¥290,000 Value Indicator
$1,250-$1,850 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 75
Year: 1971
Size: H 58cm x W 78cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| February 2024 | Chiswick Auctions | United Kingdom | |||
| May 2022 | Leland Little Auction & Estate Sales | United States | |||
| May 2018 | Shapiro Auctioneers | Australia | |||
| May 2018 | Sworders | United Kingdom | |||
| June 2017 | Leland Little Auction & Estate Sales | United States | |||
| October 2015 | Bonhams Knightsbridge | United Kingdom |
Meaning & Analysis
This signed screenprint from 1971 is a rare, limited edition of 75 from Howard Hodgkin’s Indian Views series. The horizontal print shows an abstract representation. The composition is mostly occupied by a black painted frame, which closes in on a small view of the seaside, dominated by warm shades of brown and yellow and deep blue tones.
Indian View L, the last of Hodgkin’s Indian View series, is perhaps as literal and representational as Hodgkin gets in this body of prints. Here, the uneven black frame – highly unusual in Hodgkin’s production – encapsulates a quaint image of a beach, painted through warm patches of colour and a blue line. The image recalls in format a travel postcard. Hodgkin created the print in the early 1970s following one of his many trips to India. Through these images, the artist aimed to recreate on paper the sights he had glimpsed during his train rides, together with the feelings and emotions he had then felt. Through carefully-devised arrangements of colour, Hodgkin re-presents on paper his memories and recollections, allowing viewers to immerse themselves into his travels. As John McEwen stated, “Hodgkin may often be en voyage, but not as a beholder. In place of a beholder, there is a rememberer.”
