Study For Bullfight No. 1
Study For Bullfight No. 1
Signed Print
Francis Bacon
85 x 65cm, Edition of 150, Lithograph, 1990
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Meaning & Analysis
Study For Bullfight (right panel) is part of an infamous trio of bullfight studies by Francis Bacon from 1990. Each panel depicts an ominous bull with monstrous horns charging at a matador in the centre of the sandy bullring. Surrounded by a fiery yellow interior, the bull and matador are rendered in bruise-like tones that unite them in their physical endeavour.
A murky sandy ring contains the action within the scene. A thin pink band hugs the upper half of the enclosure, and an adjacent segment extending upwards on the right side of the ring provides a glimpse of the roaring audience. The chaos emitted from this section reflects the animosity of humans- a theme which Bacon explored in much of his work - as they look upon the ‘dance’ between life and death of the beast and the man.
This lithograph is part of an edition size of 150 from Miroir De La Tauromachie. In it the action extends beyond the ring as a trail of the bull’s movements is trailed outside the ring and into the sand. Black dashes swirl around the bull and matador suggesting the circular movements of the figures. An atmosphere of chaos and commotion is emitted as a black tail is seen to swish and hoofs can almost be heard clattering around in this grandiose spectacle of danger.
