£1,950-£2,900
$3,900-$6,000 Value Indicator
$3,500-$5,000 Value Indicator
¥18,000-¥27,000 Value Indicator
€2,350-€3,500 Value Indicator
$19,000-$28,000 Value Indicator
¥380,000-¥570,000 Value Indicator
$2,450-$3,650 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Etching
Edition size: 100
Year: 1969
Size: H 45cm x W 32cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
September 2023 | Bonhams Knightsbridge | United Kingdom | |||
August 2021 | Lyon & Turnbull Edinburgh | United Kingdom | |||
October 2020 | Bonhams Knightsbridge | United Kingdom | |||
July 2011 | Bonhams New Bond Street | United Kingdom | |||
June 2000 | Christie's London | United Kingdom | |||
June 1995 | Christie's Amsterdam | Netherlands | |||
July 1993 | Christie's London | United Kingdom |
Rapunzel Growing In The Garden is an etching and aquatint created by David Hockney in 1969. This print is part of Hockney's Illustrations For Six Fairy Tales From The Brothers Grimm series. The work depicts Rapunzel in a tower, surrounded by a garden setting. It was published by Petersburg Press and printed by The Print Shop, Amsterdam, in an edition of 400 unsigned prints.
Hockney's etching showcases his distinctive approach to storytelling through visual art. The composition centres on Rapunzel gazing from a tower window, with a garden occupying the foreground. Hockney employs fine lines to create intricate details in the foliage and architecture, while the aquatint technique allows for subtle tonal variations, enhancing the depth and atmosphere of the scene.
The Brothers Grimm series, comprising 39 etchings, represents Hockney's exploration of traditional narratives through a contemporary lens. In Rapunzel Growing In The Garden, Hockney captures a moment of anticipation in the fairy tale, focusing on the character's confinement and the lush world beyond her reach.The sparse background and careful use of negative space draw attention to the central figures, a technique Hockney often employed to emphasise key elements in his compositions. This approach creates a sense of isolation that echoes Rapunzel's predicament in the story.