Name: The Acrobat
Brand: David Hockney
Rating: 5 (257 reviews)

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British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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The Acrobat is a signed etching by British artist, David Hockney. Rendered in the simplistic, cartoon-like style characteristic of Hockney’s other works produced in 1964, such asCleanliness is Next to Godliness orFigure By A Curtain, It depicts a circus performer standing atop a white horse as they ready themselves to jump through a burning circus hoop. With bold, loosely representational forms echoing the work of Picasso, this piece is testament to Hockney’s unparalleled skill at the etching plate. Unworked areas – the performer’s upper body and horse – engender a striking negative space which unlocks the effective potential of the etching’s dark, heavily-inked background. In this work, Hockney does not aim to produce likeness, but rather takes inspiration from the avant-garde. Indeed, during this period Hockney often looked to the Cubist movement, the artistic style of which he makes extended use of in Cubist Boy With A Colourful Tree (1964), or Iowa (1964) – both produced during his travels across North America. Referencing Hockney’s profound love for and interest in the stage, The Acrobat constitutes a significant jump-off point for Hockney’s later work with the Metropolitan Opera House, New York City, an institution with which he worked extensively during the late 1970s and early ‘80s. 

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is a signed etching by British artist, David Hockney. Rendered in the simplistic, cartoon-like style characteristic of Hockney’s other works produced in 1964, such as

, It depicts a circus performer standing atop a white horse as they ready themselves to jump through a burning circus hoop. With bold, loosely representational forms echoing the work of 

, this piece is testament to Hockney’s unparalleled skill at the etching plate. Unworked areas – the performer’s upper body and horse – engender a striking negative space which unlocks the effective potential of the etching’s dark, heavily-inked background. In this work, Hockney does not aim to produce likeness, but rather takes inspiration from the avant-garde. Indeed, during this period Hockney often looked to the Cubist movement, the artistic style of which he makes extended use of in 

 (1964) – both produced during his travels across North America. Referencing Hockney’s profound love for and interest in the stage, The Acrobat constitutes a significant jump-off point for Hockney’s later work with the Metropolitan Opera House, New York City, an institution with which he worked extensively during the late 1970s and early ‘80s. 

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The Acrobat

The Acrobat
Signed Print

David Hockney

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The Acrobat

The AcrobatSigned Print

David Hockney

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The Acrobat
Signed Print