Name: Celia In A Polka Dot Skirt
Brand: David Hockney
Rating: 5 (250 reviews)

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British-born artist David Hockney is a kaleidoscopic force in the art world. Born in 1937, Hockney's vibrant palette and innovative techniques have left an indelible mark on contemporary art. A pioneer of the British Pop Art movement in the 1960s, he seamlessly transitioned through various styles, from photo collages to vivid landscapes. Renowned for his exploration of light and space, Hockney's versatility extends to painting, printmaking, photography, and stage design. A captivating storyteller, his works often capture the essence of modern life with a playful yet profound touch. With a career spanning decades, Hockney remains an enduring visionary in the ever-evolving art world.

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david hockney

celia birtwell

Celia In A Polka Dot Skirt

Celia Birtwell

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As with so many of Hockney’s portraits of his close friend and muse Celia Birtwell, the focus is centred as much on the sitter’s clothes as her expression or likeness. A fashion designer herself, Birtwell obviously paid close attention to her style and it is fascinating to see Hockney reproducing it so faithfully in print. The pair have enjoyed a close relationship for many decades and throughout the whole of Hockney’s oeuvre we can see Celia’s presence, charting the changes in fashion from the 60s to the 2000s as well as the growing intimacy of a relationship and the effects of aging. As with another lithograph from 1980, Celia In An Armchair, here we find Birtwell in a polka dot skirt. This time she has returned to the modernist chair in the style of Celia, 8365 Melrose Avenue, Hollywood and her legs are crossed as she looks away from the artist’s gaze. She also wears a pussybow blouse which gives the scene a little more formality. One arm is folded behind her head and with the other she raises her hand to her face, as if she is pensive. Her black high heels provide a punctum to the image, along with a splash of ink to her right.

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As with so many of Hockney’s portraits of his close friend and muse 

, the focus is centred as much on the sitter’s clothes as her expression or likeness. A fashion designer herself, Birtwell obviously paid close attention to her style and it is fascinating to see Hockney reproducing it so faithfully in print. The pair have enjoyed a close relationship for many decades and throughout the whole of Hockney’s oeuvre we can see Celia’s presence, charting the changes in fashion from the 60s to the 2000s as well as the growing intimacy of a relationship and the effects of aging. As with another lithograph from 1980, 

, here we find Birtwell in a polka dot skirt. This time she has returned to the modernist chair in the style of 

 and her legs are crossed as she looks away from the artist’s gaze. She also wears a pussybow blouse which gives the scene a little more formality. One arm is folded behind her head and with the other she raises her hand to her face, as if she is pensive. Her black high heels provide a punctum to the image, along with a splash of ink to her right.

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Celia In A Polka Dot Skirt

Celia In A Polka Dot Skirt
Signed Print

David Hockney

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Celia In A Polka Dot Skirt

Celia In A Polka Dot SkirtSigned Print

David Hockney

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Celia In A Polka Dot Skirt
Signed Print