H6-3 Patience
H6-3 Patience
Signed Print
Damien Hirst
Price data unavailable
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Giclée print
Edition size: 55
Year: 2015
Size: H 100cm x W 100cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2022 | Phillips London - United Kingdom | H6-3 Patience - Signed Print | |||
| June 2022 | Phillips London - United Kingdom | H6-3 Patience - Signed Print |
Meaning & Analysis
H6-3 Patience is a giclée print from Damien Hirst’s 2015 The Aspects series that shows an array of butterfly wings arranged in an intricate kaleidoscopic pattern. Depicted in varying shades of blue, this print is perfectly symmetrical formed through a diagonal cross section. The print exudes a kinetic energy that is exciting and mesmerising to look at.
The Aspects series is indicative of Hirst’s obsession with butterflies and every print uses hundreds of butterfly wings to form its beautiful pattern. For Hirst, the butterfly is a ‘universal trigger’ that many people share in finding attractive and joyous. Recalling someone once saying to him: ‘Butterflies are beautiful, but it’s a shame they have disgusting hairy bodies in the middle,’ Hirst in works like this chose only to display the dazzling wings in H6-3 Patience.
Reminiscent of stained glass windows in Gothic architecture and the circular patterns of mandalas, H6-3 Patience is representative of Hirst’s broad range of artistic inspiration. The use of the butterfly differs from earlier iterations of the motif in installations such as In and Out of Love from 1991. Using only the butterfly wings, Hirst removes the idealised image of the butterfly from the real insect, notably arranging the wings into an aesthetic composition.
