Untitled (Evoe)
Untitled (Evoe)
Signed Print
Bridget Riley
£12,000-£18,000Value Indicator
$25,000-$40,000 Value Indicator
$22,000-$35,000 Value Indicator
¥120,000-¥170,000 Value Indicator
€14,000-€21,000 Value Indicator
$120,000-$190,000 Value Indicator
¥2,270,000-¥3,400,000 Value Indicator
$16,000-$24,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 75
Year: 2003
Size: H 28cm x W 84cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2023 | Christie's Amsterdam | Netherlands | |||
| May 2021 | Christie's Paris | France | |||
| April 2013 | Lyon & Turnbull Edinburgh | United Kingdom | |||
| June 2010 | Bonhams Knightsbridge | United Kingdom | |||
| March 2010 | Bonhams New Bond Street | United Kingdom | |||
| December 2009 | Koller Zurich | Switzerland | |||
| October 2009 | Christie's New York | United States |
Meaning & Analysis
Untitled (Evoe), executed in 2003 in an edition of 75, is composed of Bridget Riley’s unique, serpentine forms, unrelated to any other conventional, geometric form, that evolved following the great success of the artist’s Stripes series. Like numerous other prints in this series, Untitled (Evoe) is composed of four colours, which work together to create a figure and ground construction.
Like the other works in this series, Untitled (Evoe) is structured on a diagonal grid. This underlying structure gives the composition a forward movement that is tempered by the soft lines of the curved forms. The basic building blocks for these curvilinear works are serpentine segments in solid blocks of colour, which are of varying size. The complex structure of the print makes it seem as if each colour in turn alternately becomes the figure and ground.
The suggested title of the artwork, Evoe, was a cry associated with the intoxicated rites of the Greek god of wine and fertility, Bacchus.
Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.
