Rude Copper
Rude Copper
Unsigned Print
Banksy
£80,000-£110,000
$150,000-$210,000 Value Indicator
$140,000-$190,000 Value Indicator
¥690,000-¥950,000 Value Indicator
€90,000-€120,000 Value Indicator
$790,000-$1,080,000 Value Indicator
¥13,580,000-¥18,680,000 Value Indicator
$100,000-$140,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 30
Year: 2002
Size: H 57cm x W 41cm
Signed: No
Format: Unsigned Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2009 | Christie's London - United Kingdom | Rude Copper - Unsigned Print | |||
| September 2008 | Christie's London - United Kingdom | Rude Copper - Unsigned Print |
Meaning & Analysis
Released in 2002 as a signed screen print edition of 30, Banksy's limited-edition Rude Copper print depicts a British policeman flipping the bird, signalling the artist's contempt for police, particularly in light of the 2000 Terrorism Act's extension of their stop-and-search powers.
When Banksy created the Rude Copper mural, it featured two British police officers, sticking their middle fingers up at the viewer. The duo makes for an incredibly striking and impactful work of street art on the London street where it first appeared. In 2002, Banksy released Rude Copper as a screen print, though in the print only one of the two policemen appear. The print is an entirely black and white design with very little detailing. The officer raises his middle finger with an arrogant look upon his face, wearing an old fashioned custodian helmet, introduced into the British police force in 1863. Although still worn today, this garment is largely considered to be the staple of the old ‘Bobby on the Beat’, a local, friendly neighbourhood copper, who is a sharp contrast to the actions of the officer in the image. Banksy’s scathing opinion of authority and law enforcement can be seen across much of his artwork, and this is no exception. Donuts (Chocolate) is another such print, formulating more light-heartedly humorous, tongue-in-cheek critique on the police.
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