Love Is In The Air (Flower Thrower)
Love Is In The Air (Flower Thrower)
Unsigned Print
Banksy
£18,000-£30,000Value Indicator
$40,000-$60,000 Value Indicator
$35,000-$50,000 Value Indicator
¥170,000-¥280,000 Value Indicator
€21,000-€35,000 Value Indicator
$180,000-$300,000 Value Indicator
¥3,380,000-¥5,630,000 Value Indicator
$23,000-$40,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 500
Year: 2003
Size: H 50cm x W 70cm
Signed: No
Format: Unsigned Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| March 2025 | SBI Art Auction | Japan | |||
| March 2025 | Forum Auctions London | United Kingdom | |||
| September 2024 | Sotheby's Online | United Kingdom | |||
| October 2023 | SBI Art Auction | Japan | |||
| September 2023 | Christie's London | United Kingdom | |||
| June 2023 | Koller Zurich | Switzerland | |||
| June 2023 | Tate Ward Auctions | United Kingdom |
Meaning & Analysis
Banksy's iconic Love Is In The Air depicts a balaclava-wearing man holding a bouquet of flowers instead of a bomb. The edition of 500 unsigned screen prints was released in 2003, alongside 50 signed. Originally a mural on the West Bank Wall, it symbolizes Banksy’s anti-war beliefs and a plea for peace.
Love Is In The Air (Flower Thrower) features Banksy’s trademark spray/stencil style harking back to his beginnings as a graffiti artist. The image depicts an angry young man wearing a bandana as a mask, in the action of throwing what could be a rock or a Molotov cocktail, but instead is a bouquet of flowers.
This famous image is considered to reference pictures from 1960s campus and street riots around the globe. It has been interpreted as a representation of peaceful resistance as an essential weapon for protestors if they want to achieve true change, instead of more violent means. It appeared as graffiti in the conflict-ridden Gaza strip area of Jerusalem as an indication by Banksy that there still might be hope for a peaceful solution in the ongoing struggle between Palestine and Israel. This print is largely monochromatic with a block-red colour background.
