London, New York, Bristol (Heavy Weaponry)
London, New York, Bristol (Heavy Weaponry)
Mixed Media
Banksy
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Medium: Mixed Media
Edition size: 10
Year: 2000
Size: H 54cm x W 57cm
Signed: No
Format: Mixed Media
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| February 2024 | Phillips London | United Kingdom | |||
| December 2020 | Bonhams New Bond Street | United Kingdom | |||
| December 2016 | Phillips London | United Kingdom | |||
| April 2014 | Phillips London | United Kingdom | |||
| October 2011 | Bonhams Knightsbridge | United Kingdom |
Meaning & Analysis
Banksy's 2004 spraypaint on canvas artwork, London, New York, Bristol (Heavy Weaponry), from a signed edition of only 10, features a stencilled elephant with a rocket on its back. The image reflects Banksy's anti-war stance, and critiques the military-industrial complex’s negative impact on humanity and nature through his signature wordplay.
The canvas shows an elephant walking across the composition, set against a dark grey backdrop. The elephant is rendered in green using a stencil in Banksy’s quintessential street art style. The elephant has a rocket strapped to its back and is captured walking past a barcode that says ‘heavy weaponry’ beneath it. Spray painted at the top and bottom of the composition in white are the names of the cities in which Banksy has painted the majority of his murals, London and Bristol.
The image can be interpreted in various ways and the anti-military message is arguably the most obvious interpretation. Many of Banksy’s images carry an anti-war sentiment, such as Kids On Guns and Bomb Love.
The oversized barcode behind the elephant is a visual motif that appears in many of Banksy’s other works, such as Barcode Leopard. The barcode acts as a symbol for Capitalism, consumerism and perhaps, viewed in this context, the money wasted on modern warfare or the commodification of war.
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