Blowpop Records
Blowpop Records
Unsigned Spray Paint
Banksy
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Medium: Spray Paint
Edition size: 100
Year: 1999
Size: H 30cm x W 30cm
Signed: No
Format: Unsigned Spray Paint
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| January 2021 | Cornette de Saint Cyr Paris | France | |||
| December 2020 | Artcurial | France | |||
| December 2019 | Cornette de Saint Cyr Paris | France | |||
| April 2019 | Julien's Auctions | United States | |||
| October 2017 | Cornette de Saint Cyr Paris | France | |||
| September 2017 | Artcurial | France | |||
| December 2016 | Julien's Auctions | United States |
Meaning & Analysis
Blowpop Records (1999) is a Banksy mixed media multiple, released in an edition of 100. Using acrylic and spray-paint on record sleeve, it depicts a matador with cape. In a classic Banksy twist, instead of a raging bull, the matador faces a car—a showdown of stereotypical symbols of ‘machismo’.
At the top of the composition, Banksy writes ‘Blowpop Records’ in stencil capital letters. This name refers to the Bristol-based music label that the Capoeira Twins were signed to. Banksy produced this image for a limited release of one of the Capoeira Twins’ electronic music records. 100 copies of the record cover designed by Banksy were given to notable DJs all over the UK for free and each cover was hand stencilled by the artist himself.
The artwork captures the essence of Banksy’s wit which shines through in many of his artworks. Merging the matador and motor car in one image, the artist takes two traditional symbols of masculinity and romanticised Spanish ‘machismo’. Throughout his artistic career, Banksy has collaborated with a variety of English artists by designing their album covers, notably Blur’s seventh album, Think Tank.
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