Apples (F. & S. II.200)
Apples (F. & S. II.200)
Signed Print
Andy Warhol
£9,500-£14,000
$18,000-$26,000 Value Indicator
$16,000-$24,000 Value Indicator
¥80,000-¥120,000 Value Indicator
€11,000-€16,000 Value Indicator
$90,000-$140,000 Value Indicator
¥1,610,000-¥2,380,000 Value Indicator
$12,000-$18,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Screenprint
Edition size: 150
Year: 1979
Size: H 76cm x W 101cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| May 2024 | SBI Art Auction - Japan | Apples (F. & S. II.200) - Signed Print | |||
| July 2022 | Doyle New York - United States | Apples (F. & S. II.200) - Signed Print | |||
| July 2021 | Wright - United States | Apples (F. & S. II.200) - Signed Print | |||
| July 2020 | Forum Auctions London - United Kingdom | Apples (F. & S. II.200) - Signed Print | |||
| April 2019 | Phillips New York - United States | Apples (F. & S. II.200) - Signed Print | |||
| June 2012 | Hampel Fine Art Auctions - Germany | Apples (F. & S. II.200) - Signed Print | |||
| October 2011 | Christie's New York - United States | Apples (F. & S. II.200) - Signed Print |
Meaning & Analysis
Andy Warhol’s 1979 Apples (F. & S. II. 200) depicts three red apples on a golden-beige background. The three orbs, unrecognisable from a passing glance, are spread across the canvas. Long shadows, outlined in black and collaged in aqua, extend to the bottom of the frame. The red colouring of the apples extends beyond the photographic print, abstracting the image even further. The extended diagonals in this composition give the still life, typically a static genre, energy, and the primary colours provide vibrancy.
Apples are from Warhol’s larger series Space Fruit. This image in particular has unusual lighting in contrast to the other two, as the shadows extend almost directly downward. Space Fruit departs from Warhol’s usual consumer and celebrity images to return to the traditional subject matter of still life. However, he departs from the genre of still life by using hyper stylised and abstracted forms, in effect bringing the tradition of still life into the “future.” Warhol highlights this futuristic still life with his title, Space Fruit.
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