Mill Scene
Mill Scene
Signed Print
L. S. Lowry
£2,450-£3,600
$4,600-$7,000 Value Indicator
$4,200-$6,000 Value Indicator
¥21,000-¥30,000 Value Indicator
€2,800-€4,100 Value Indicator
$24,000-$35,000 Value Indicator
¥420,000-¥610,000 Value Indicator
$3,050-$4,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lithograph
Edition size: 750
Year: 1972
Size: H 31cm x W 40cm
Signed: Yes
Format: Signed Print
TradingFloor
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Rosebery's Fine Art Auctioneers - United Kingdom | Mill Scene - Signed Print | |||
| June 2023 | Rosebery's Fine Art Auctioneers - United Kingdom | Mill Scene - Signed Print | |||
| March 2023 | Rosebery's Fine Art Auctioneers - United Kingdom | Mill Scene - Signed Print | |||
| December 2022 | Bonhams Knightsbridge - United Kingdom | Mill Scene - Signed Print | |||
| October 2022 | Wilson55 - United Kingdom | Mill Scene - Signed Print | |||
| September 2022 | Ewbank's - United Kingdom | Mill Scene - Signed Print | |||
| July 2021 | Rosebery's Fine Art Auctioneers - United Kingdom | Mill Scene - Signed Print |
Meaning & Analysis
In Mill Scene, dogs, figures, lampposts and smoke all bend against the inhospitable landscape, evoking a stormy day outside the dark Satanic Mill. The ominous atmosphere of the painting is reinforced by the artist’s gloomy, reduced colour palette. Lowry only used five colours: Ivory Black, Vermillion, Prussian Blue, Yellow Ochre and Flake White. Despite the subject matter and composition, the scene doesn’t necessarily evoke a depressing atmosphere - there is beauty in the bleakness and a sense of vibrancy through the mass of people roaming the industrial city streets. The buildings jump out in brick red from a white smoggy sky, smoke rises from the chimneys, and there is a faded city looming in the background. Lowry famously found his subject after overlooking and even despising the scenes he came to obsessively depict. Outside a mill just like the one in Mill Scene he said, “I watched this scene – which I’d look at many times without seeing – with rapture.”
