£3,550-£5,500
$7,000-$10,500 Value Indicator
$6,500-$9,500 Value Indicator
¥35,000-¥50,000 Value Indicator
€4,250-€6,500 Value Indicator
$35,000-$50,000 Value Indicator
¥690,000-¥1,080,000 Value Indicator
$4,500-$7,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
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Medium: Lithograph
Edition size: 90
Year: 1989
Size: H 56cm x W 42cm
Signed: Yes
Format: Signed Print
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Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
---|---|---|---|---|---|
August 2024 | Tate Ward Auctions - United Kingdom | The Story Of Red And Blue 11 - Signed Print | |||
October 2023 | Phillips New York - United States | The Story Of Red And Blue 11 - Signed Print | |||
April 2017 | Artcurial - France | The Story Of Red And Blue 11 - Signed Print | |||
December 2015 | Artcurial - France | The Story Of Red And Blue 11 - Signed Print | |||
June 2015 | Karl & Faber - Germany | The Story Of Red And Blue 11 - Signed Print | |||
June 2014 | Karl & Faber - Germany | The Story Of Red And Blue 11 - Signed Print |
The Story Of Red And Blue 11 is a signed colour lithograph by Pop artist, Keith Haring. Released in 1989 in a limited edition of 90, this print is part of The Story Of Red And Blue series. Representative of Haring’s desire to create a visual language that appealed to both children and adults alike, the series is formed of a variety of simplified images reminiscent of children’s fictional characters. Throughout the series Haring limits his colour palette to bright red and blue and renders each image in his distinctive linear style with black rounded lines.
The Story Of Red And Blue 11 shows two figures depicted in Haring’s trademark figurative style, each holding in their hands a bright red ball with smiling faces. Haring’s use of action lines that radiate from the figures creates a sense of dynamism and movement to the image.
This is a playful and appealing image that is reminiscent of traditional children’s story book illustrations, however throughout the series there seems not to be any cohesive storyline. Despite giving the viewer no context to this unusual image, Haring’s use of simplified shapes and recognisable figures work to create a universally comical image. The energetic lines and bright colours used encourages the viewer to find a sense of joy from this print.