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Joe With Green Window - Signed Print by David Hockney 1980 - MyArtBroker

Joe With Green Window
Signed Print

David Hockney

£6,000-£9,000Value Indicator

$13,000-$19,000 Value Indicator

$11,000-$16,000 Value Indicator

¥60,000-¥80,000 Value Indicator

7,000-10,500 Value Indicator

$60,000-$90,000 Value Indicator

¥1,110,000-¥1,670,000 Value Indicator

$7,500-$11,500 Value Indicator

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

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Medium: Lithograph

Edition size: 54

Year: 1980

Size: H 112cm x W 77cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of David Hockney’s Joe With Green Window (signed) is estimated to be worth between £6,000 and £9,000. This lithograph print, created in 1980, has shown consistent value growth, with an average annual growth rate of 4%. This is a popular work with a total auction history of 10 sales since its entry to the market in April 2008. In the last five years, the hammer price has ranged from £5,243 in April 2023 to £9,144 in November 2023. The average return to the seller over this period has been £6,114. The edition size of this artwork is limited to 54.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
November 2023Sotheby's Online United Kingdom
April 2023Doyle Auctioneers & Appraisers United States
February 2018Christie's New York United States
December 2016Uppsala Auktionskammare Sweden
July 2016Christie's New York United States
September 2015Christie's London United Kingdom
April 2015Shapiro Auctioneers Australia

Meaning & Analysis

Joe Macdonald, recognisable from his earlier portrait in the 1976 Friends series, is sat in a chair, his body slightly twisted so that he rests his hands on its back. The rest of the room is empty except for a bright red rug which contrasts and complements the blue of his Hawaiian shirt, and the green window of the title, which could refer to either green shutters or perhaps a view of lush vegetation. David Harte, who features with Joe Macdonald in an unsettling double portrait in this series, is nowhere to be seen. The mood is at once intimate and disquieting, the sitter’s downturned face appearing pensive and solemn. The work is also a testament to Hockney’s skill with the medium of lithography, which, by using a brush dipped in tusche (diluted lithographic ink), he was able to manipulate in order to turn a quick sketch into a painterly multiple. Here he makes full use of the medium’s ability to mix colours and presents us with a vibrant scene that reflects the exotic location hinted at in the sitter’s shirt.