Painted Environment III
Painted Environment III
Signed Print
David Hockney
£13,000-£20,000
$26,000-$40,000 Value Indicator
$23,000-$35,000 Value Indicator
¥120,000-¥180,000 Value Indicator
€15,000-€24,000 Value Indicator
$130,000-$190,000 Value Indicator
¥2,530,000-¥3,890,000 Value Indicator
$16,000-$25,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Photographic print
Edition size: 25
Year: 1994
Size: H 79cm x W 99cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Location | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2023 | Bonhams Skinner | United States | |||
| June 2023 | Tiroche | Israel | |||
| October 2020 | SBI Art Auction | Japan | |||
| October 2019 | Christie's New York | United States | |||
| July 2019 | Christie's New York | United States | |||
| April 2013 | Phillips New York | United States |
Meaning & Analysis
Painted Environment III, is a photographic print executed in 1994 in an edition of 25. Executed by the much loved British artist David Hockney, this is a digital inkjet print in colour.
In Painted Environment III, the canvas from the far-right of the composition in Painted Environment II, is now placed alone in the colourful, swirling room, where the walls and floor are a mass of abstracted forms. The reusing of artworks to construct different compositions confirms Hockney’s on-going preoccupation with the challenge of perspective and representation. In other words, Hockney has long been concerned with the challenge of how we perceive the world and how time and space can successfully be captured in two-dimensions. Hockney plays with the conventions of picture making in his Painted Environment series as paintings are captured by a digital medium: photography. Moreover, what is a three-dimensional set up, is ultimately rendered in a two-dimensional form. These intricacies and experiments with representation underpin Hockney’s practice and form the core of this series of prints.
