Name: The Souls On Jacobs Ladder 5
Brand: Damien Hirst
Rating: 4.9 (228 reviews)

Track auction value trend

The value of Damien Hirst’s The Souls On Jacobs Ladder 5, created in 2007, is estimated to be worth between £8,000 and £12,000. This signed intaglio print, has an auction history of one sale on 4th June 2011. There have been no sales in the last 12 months and the hammer price and average annual growth rate are not available. The edition size of this artwork is limited to 72.

Auction Date

Auction House

Artwork

Hammer Price

Return to Seller

Buyer Paid

September 2017

Sotheby's Online - United Kingdom

The Souls On Jacobs Ladder 5 - Signed Print

June 2011

Ketterer Kunst Hamburg - Germany

The Souls On Jacobs Ladder 5 - Signed Print

Meaning & Analysis

The Souls On Jacob’s Ladder 5 is an intaglio print from Damien Hirst’s The Souls On Jacob’s Ladder Take Their Flight series from 2007. The print shows an image of a butterfly with its wings outspread, set against a black backdrop. The butterfly is coloured with glowing shades of purple and has a luminous quality that stands out against the dark background.

Depicted in beautifully rich detail, the butterfly in the centre of the composition is striking in its colouring and its mimetic quality. Hirst’s concern with depicting his chosen subject matter in photographic detail stems from his work on ‘fact’ painting beginning in 2000. The artist’s aim with such works was to attempt to reproduce photographs in the traditional medium of oil on canvas. The realistic image of the butterfly plays with Hirst’s concern around facts and truth that photographs are assumed to depict.

The butterfly motif is a prominent figure that Hirst has used throughout his career to bring together themes around morality, life, love, faith and aesthetics. Speaking of his obsession with butterflies Hirst has explained, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”

Damien Hirst, born in Bristol in 1965, is often hailed the enfant terrible of the contemporary art world. His provocative works challenge conventions and his conceptual brilliance spans installations, paintings, and sculptures, often exploring themes of mortality and the human experience. As a leading figure of the Young British Artists (YBA) movement in the late '80s, Hirst's work has dominated the British art scene for decades and has become renowned for being laced with controversy, thus shaping the dialogue of modern art.