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Liz (F. & S. II.7) - Signed Print by Andy Warhol 1964 - MyArtBroker

Liz (F. & S. II.7)
Signed Print

Andy Warhol

£25,000-£35,000Value Indicator

$50,000-$70,000 Value Indicator

$45,000-$60,000 Value Indicator

¥230,000-¥320,000 Value Indicator

30,000-40,000 Value Indicator

$250,000-$340,000 Value Indicator

¥4,790,000-¥6,700,000 Value Indicator

$30,000-$45,000 Value Indicator

1% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Lithograph

Edition size: 300

Year: 1964

Size: H 58cm x W 58cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Andy Warhol's Liz (F. & S. II.7) is estimated to be worth between £25,000 and £35,000. This signed lithograph print from 1964 has shown consistent value growth, with an average annual growth rate of 1%. Over the past 12 months, the artwork has sold 5 times with an average selling price of £30,701. In the last five years, the hammer price has ranged from £17,532 in November 2023 to £71,616 in April 2022. Since its first sale in November 1999, this artwork has been sold 108 times at auction. The edition size of this artwork is limited to 300.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
June 2024Lempertz, Cologne Germany
May 2024Bonhams New York United States
April 2024Christie's New York United States
March 2024Bonhams Los Angeles United States
March 2024Sotheby's London United Kingdom
November 2023Dorotheum, Vienna Austria
October 2023Heffel Online Canada

Meaning & Analysis

The print shows an image of Taylor based on a publicity photograph from the late 1950s for her film Butterfield 8 tightly cropped and coloured with a bright red background that contours Taylor’s thick, dark hair. With this print, Warhol came to realise the power of his simplified, graphic depictions of immeasurable celebrity, fleeting mortality and unrelenting mass-media, thus inspiring his famed depictions of Marilyn Monroe that took on a similar style.

Exploring the image in a multitude of colours throughout the series Warhol said of his screen printing method, ‘you get the same image, slightly different each time. It was all so simple – quick and chancy. I was thrilled with it.’ The repetition of a single image across the entire series explores the concept of democratising high art and mimics the appearance of prolific mass-media imagery. Alongside Warhol’s use of vivid non-naturalistic colours, the series points to the excessiveness of celebrity culture and the hollowness of fame.