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Zao
Wou-Ki

Zao Wou-Ki, a pioneer of lyrical abstraction, bridged Eastern and Western artistic principles. If you’re seeking Zao Wou-Ki original prints and editions for sale or would like to sell, request a complimentary valuation and explore our network’s most in-demand works.

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Biography

Zao Wou-Ki, born on 13 February 1920 in Beijing, emerged as a pivotal figure in 20th century art by blending Eastern aesthetics with Western Abstract Expressionism. Educated at the Hangzhou School of Fine Arts, he was influenced by both Chinese painting techniques and Western art movements. In 1948, Zao relocated to Paris, where he was inspired by artists like Henri Matisse and Pablo Picasso. These cultural influences led to an artistic style characterised by bold brushstrokes and dynamic compositions, marking Zao as a transcultural voice in the art world.

Zao's career was marked by an integration of Eastern and Western art forms, making him a bridge between these two worlds. His friendships with prominent artists such as Alberto Giacometti and Joan Miró enriched his perspective, helping him develop a distinctive style that combined traditional Chinese techniques with Western Modernism.

Characterised by sweeping brushstrokes and an expressive use of colour, Zao’s abstract landscapes evoke a sense of expansiveness. His career is punctuated by various phases, each exploring different elements of light, space, and nature. The 1950s and ‘60s were particularly significant as he transitioned to Lyrical Abstraction, producing some of his most celebrated works.

Printmaking was a significant aspect of Zao's artistic practice. He began experimenting with lithography in 1949 at the Paris workshop of Edmond Desjobert. Despite initial criticism of his unconventional methods, Zao developed a unique technique that integrated a significant amount of water with lithographic ink, leading to successful prints. Throughout his career, Zao's prints evolved from image-based works to fully abstract pieces. His prints, such as Untitled (A. 159), showcase his ability to infuse prints with dynamic energy and colourful emotional depth.

Zao's influence extended beyond his artworks, as he played a crucial role in introducing Chinese aesthetics to the Parisian art scene. His contributions were recognised with numerous accolades, including the Commandeur de la Légion d'Honneur in 1993.

A wide, horizontal abstract painting with vibrant orange, blue, and dark elements creating a striking colour contrast. The darker colours appear to sit in the foreground, with the warmer, lighter, orange tones beyond. The colours mingling with a marbling effect.

Juin-Octobre 1985 © Zao Wou-Ki 1985

1. £44.1M for Zao Wou-Ki's Juin-Octobre 1985

Juin-Octobre 1985 (1985) set Zao Wou-Ki's current auction record when it sold at Sotheby's Hong Kong in September 2018. This monumental triptych, measuring 2.8 by 10 metres, represents one of the artist's largest and most ambitious works, as is one of the latest works on this list. As its title suggests, the work was created over five months during his Infinity period. The painting exemplifies Zao's mature style with sweeping brushstrokes suggesting a cosmic landscape. From the collection of Taiwanese businessman Chang Qiu Dun, and previously on display at Raffles Singapore between 1986 and 2005, its record-breaking sale underscored the growing appetite for Zao's work among Asian collectors. The piece embodies Zao's multicultural philosophy that "everybody is bound by a tradition; I am bound by two," and showcases his synthesis of Chinese spiritual landscape painting and Western abstraction.

An abstract seascape-like painting in deep blues and whites. The composition suggests turbulent water or stormy skies with sweeping horizontal brushstrokes and dramatic light effects.

29/09/64 © Zao Wou-Ki 1964

2. £24.3M for Zao Wou-Ki's 29/09/64

29/09/64 (1964) achieved this impressive result at Christie's Hong Kong in May 2022, marking a significant increase from its previous sale price of £13.5M in 2017. This large-scale canvas, nearly 3.5 metres wide, exemplifies Zao's celebrated Hurricane period of the 1960s, characterised by explosive cloud- and rain-like energy and dynamic composition. Its strong colours, high contrast, and suggested movement embody Zao’s statement that "painting is a battle." The work's deep blues and turbulent brushwork create a sense of meteorological turbulence, reflecting Zao's interest in capturing the essence of nature's forces rather than its outward appearance. The painting's date-as-title, typical of Zao, commemorates a specific day's artistic exploration, with each stroke appearing both deliberate and spontaneous.

3. £17.3M for Zao Wou-Ki's 04/01/79

04/01/79 (1979) sold at Beijing Yongle International Auction Company in December 2020, achieving this impressive result for a work from Zao's transitional period between his Hurricane and Infinity phases. The piece captures Zao’s evolution from chaotic and tumultuous towards meditative - refocusing his interest on expansive spaces and atmospheric effects. The work's strong performance at a mainland Chinese auction house highlights the growing domestic market for Zao's work following China's economic liberalisation. By the day of this painting’s creation, in 1979, Zao had achieved international recognition with major exhibitions throughout Europe, America, and Asia.

An abstract painting in golden-brown tones with dynamic black calligraphic marks. The composition features energetic brushwork creating a sense of movement and organic forms against a warm background.

29/01/64 © Zao Wou-Ki 1964

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