The World's Largest Modern & Contemporary Prints & Editions Platform

Lucio
Fontana

Lucio Fontana, creator of Spatialism, revolutionised art with his audacious slashes and cuts, breaking through the two-dimensionality of the canvas. If you’re looking for original Lucio Fontana prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand pieces.

Lucio Fontana art for sale

Discover Lucio Fontana prints for sale, exclusively available through our private network of collectors. Explore signed and unsigned screenprints, lithographs, digital prints, and rare editioned proof prints by era-defining blue chip artists.

x

Sell Your Art
with Us

Join Our Network of Collectors. Buy, Sell and Track Demand

Submission takes less than 2 minutes & there's zero obligation to sell
The Only Dedicated Print Market IndexTracking 48,500 Auction HistoriesSpecialist Valuations at the Click of a Button Build Your PortfolioMonitor Demand & Supply in Network Sell For Free to our 25,000 Members

Biography

Born in Argentina, in 1899 to an Italian father and an Argentine mother, Fontana spent his formative years absorbing a rich blend of cultural influences. His early artistic flair was nurtured under his father, which led to a foundational education at the Accademia di Belle Arti di Brera in Milan. Further honing his skills in sculpture and ceramics, Fontana embraced an array of techniques that would later inform his groundbreaking approach to art.

Fontana's artistic development was a journey marked by relentless innovation. After serving in World War I, he returned to Milan and later moved between Italy and Argentina, where he was exposed to various avant-garde movements. It was in the aftermath of World War II that Fontana truly found his voice. He’s responsible for the Manifesto Blanco, laying the groundwork for Spatialism—a movement that sought to synthesise colour, sound, space, movement, and time into a new type of art.

The zenith of Fontana's career is epitomised by his Spatial Concept series, where he radically slashed and punctured the canvas, inviting the viewer into a literal and metaphorical space beyond the picture plane. His monochrome canvases, often painted in stark white or bold colours, became arenas for his Tagli, each incision executed with surgical precision, creating an art form that obliterated the line between painting and sculpture.

Fontana's impact on the art world is marked by significant exhibitions and accolades, including a grand showing at the Venice Biennale, where he received the Grand Prize in 1966. His works have been displayed in prominent institutions, from New York to Amsterdam, cementing his status as an artist who redefined the possibilities of art.

Reflecting on Fontana's legacy, it is clear that his influence extends far beyond the Spatialist movement. His conceptual breakthroughs have paved the way for future generations of artists to explore the intersection of art and space, ensuring that his daring spirit continues to resonate within the narrative of modern art.

A yellow egg-shaped canvas decorated with tiny perforations. Some irregular lines of medium-sized perforations, and some randomly spaced larger perforations, add spontaneity to the composition.

Concetto Spaziale, La Fine Di Dio © Lucio Fontana 1963-64

1. £17.2M for Lucio Fontana's Concetto Spaziale, La Fine Di Dio

Fontana's current auction record was set when a vibrant yellow Concetto Spaziale, La Fine Di Dio (1963-64) sold at Christie's New York in November 2015. This iconic egg-shaped canvas - punctured with dozens of holes that create a constellation effect - represents the pinnacle of Fontana's artistic achievement and philosophical inquiry. The work belongs to a series of just 38 oval canvases that Fontana produced in various colours, each perforated in unique patterns. The title, translating to "The End of God," reflects Fontana's engagement with profound spiritual questions during a period of rapid scientific advancements known as the Space Race. Fontana himself described these works as "the infinite, something inconceivable, the end of figurative representation, the beginning of nothing."

A yellow egg-shaped canvas almost entirely covered with small perforations, apart from a border around its edge.

Concetto Spaziale, La Fine Di Dio © Lucio Fontana 1964

2. £15.7M for Lucio Fontana's Concetto Spaziale, La Fine Di Dio

Another yellow La Fine Di Dio achieved this impressive result at Sotheby's New York in May 2024, making it the most recent sale on this list. The composition varies slightly from its record-breaking counterpart, demonstrating Fontana's careful consideration of each work's specific puncture pattern. The egg's symbolic associations with creation and the universe, combined with Fontana's precise technical execution, make these works particularly significant within his oeuvre and 20th century art history more broadly. This specific piece has been exhibited across the globe, beginning with the Marlborough Gallery in Rome and travelling to The Warehouse in Dallas, MoMA in New York, and Anders Wall in Stockholm. It had previously been in private collections since the 1960s, with its recent emergence on the market generating significant interest among collectors.

A white egg-shaped canvas with small and medium-sized perforations clustered in its upper half. The perforations get larger and sparser towards the middle and lower half.

Concetto Spaziale, La Fine Di Dio © Lucio Fontana 1963

3. £14.3M for Lucio Fontana's Concetto Spaziale, La Fine Di Dio

This brown-hued La Fine Di Dio canvas sold at Christie's London in October 2018 - a significant increase on its £11.6million sale in 2013. The darker palette offers a striking variation on the series, with the deep, rich surface creating a different sensory experience from the more vibrant examples. The perforations, which appear almost like craters or voids against the brown background, create a meditation on emptiness and form that aligns with Fontana's interest in Eastern philosophical concepts. The brown colouration connects to earthly elements, creating an interesting counterpoint to the more celestial associations of the yellow versions, while still engaging with the fundamental questions of space, void, and materiality that defined Fontana's practice. Aside from a brief display at the Palais de Beaux-Arts, Brussels, in 1972, the work had remained hidden from public view until its sale in 2018.

A black egg-shaped canvas, decorated mainly with irregular large perforations. Smaller perforations loop around some of the large holes.

Concetto Spaziale, La Fine Di Dio © Lucio Fontana 1963