Medieval Village #1
Medieval Village #1
Signed Print
Julian Opie
Price data unavailable
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lenticular
Edition size: 20
Year: 2019
Size: H 30cm x W 40cm
Signed: Yes
Format: Signed Print
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| April 2023 | SBI Art Auction - Japan | Medieval Village #1 - Signed Print | |||
| December 2021 | Forum Auctions London - United Kingdom | Medieval Village #1 - Signed Print |
Meaning & Analysis
Created with a lenticular panel so as to form a moving image, Medieval Village #1 is a print by Julian Opie from 2019 and is typical of his simplified, graphic style. The print shows an image of a medieval castle with three spires and two arches, depicted in grey, black and white.
Throughout his career, Opie has produced many images that convey a sense of movement and dynamism in the form of static prints, paintings, sculpture, and moving images. Using photographs taken by the artist, each print is then manipulated and reduced to a matter of simplified shapes and signs to represent a figure. This particular series uses movement as a way to depict the three dimensional nature of the architecture, depicting the scene from different angles across each print.
Medieval Village #1 is indicative of Opie’s interest in using computer technology as a key component to his work, producing a moving image through lenticular printing. The Medieval Village series draws from a sculpture installation Medieval Village by Opie from 2018 that shows an almost life size three-dimensional rendering of the architecture. This sculptural piece, alongside the print series, is indicative of Opie’s desire to create work that captures how humans experience the world through physical encounters.
