Sara Gets Undressed (red)
Sara Gets Undressed (red)
Signed Print
Julian Opie
Price data unavailable
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Lenticular
Edition size: 25
Year: 2004
Size: H 195cm x W 82cm
Signed: Yes
Format: Signed Print
Track this artwork in realtime
Watch artwork, manage valuations, track your portfolio and return against your collection.
Track auction value trend
Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2022 | Bonhams New Bond Street - United Kingdom | Sara Gets Undressed (red) - Signed Print | |||
| April 2006 | Christie's London - United Kingdom | Sara Gets Undressed (red) - Signed Print |
Meaning & Analysis
Sara Gets Undressed is a lenticular print by Julian Opie from 2011 that shows a moving image of a woman in the artist’s typical figurative style. Opie cleverly uses lenticular technology to create an image that from one angle shows the model with a short skirt and sparkly top on, and from another angle shows her wearing only her underwear. The figure stands provocatively with her arms behind her head and hips swayed to the side.
Opie has produced many images of this particular model in varying poses that convey movement and emotion through the static image. Sara Gets Undressed (Red) adds another layer of movement and allure through the use of lenticular technology that works to remove her clothing. Indeed, set against a vivid, red backdrop, this print has a theatrical sensibility that is hard to resist.
As a computer-generated image, rendered in such a way that the figure appears more like a sign than an individual, Opie produces a depersonalised portrait of the stereotypical ‘ideal’ woman. By presenting the figure without any facial features and a floating blank circle as a head, Opie forces the viewer to consider why they find this image so alluring and what constitutes attractiveness.
