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Jim
Dine

Jim Dine, a pivotal figure in the Pop Art movement, is celebrated for his bold, emblematic heart motifs and autobiographical themes. If you’re looking for original Jim Dine prints and editions for sale or would like to sell, request a complimentary valuation and explore our network’s most in-demand works.

Jim Dine art for sale

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Biography

Jim Dine is a versatile artist who shaped the Post-War American art scene. With a career spanning over six decades, Dine has established himself through his repeated use of personal iconography and his contributions to the development of Pop Art. Though often associated with this movement, his oeuvre defies easy categorisation, as it encompasses elements of Neo-Dada, Abstract Expressionism and Conceptual Art.

Born in Cincinnati, Ohio, in 1935, Dine exhibited a passion for art from an early age. He attended the University of Cincinnati and the Boston Museum School before receiving his BFA from Ohio University. Dine's early works were characterised by a combination of painting and performance, and he was a pioneer in the Happening movement alongside Claes Oldenburg and Allan Kaprow, where art and life experiences were combined in a theatrical form of artistic expression.

As Dine's art evolved, he began to incorporate everyday objects into his canvases, a practice that became a hallmark of his style. He would often attach items such as tools, ropes, or shoes to his paintings, blurring the lines between painting and sculpture, and between the artwork and the real world.

Dine's artistic development is marked by several key periods. In the 1960s, he became closely associated with the Pop Art movement, creating a series of works that featured everyday objects and consumer goods. However, unlike his contemporaries, Dine's approach was more autobiographical and expressive. His work reflects a preoccupation with personal symbolism and the emotional power of objects familiar to him, themes that would recur throughout his career.

In the 1960s, Dine began producing his Heart series, with the symbol becoming one of his most enduring motifs. These works, often large in scale, feature the heart as a central symbol, reflecting Dine's exploration of identity and symbolism. Dine’s lithographic work titled Carnegie Heart, depicting a central heart in gestural lines and bold colour, exemplifies how the medium sensitively lends itself to the striking liveliness of Dine’s approach.

Throughout his career, Dine has exhibited his work widely, with major solo exhibitions at prestigious institutions such as the Whitney Museum of American Art, the Museum of Modern Art in New York, and the Centre Pompidou in Paris. His contributions to the art world have been recognised with numerous awards, including the Commandeur de l'Ordre des Arts et des Lettres in France.

1. £355,020 for Jim Dine's Hearts

Jim Dine’s current auction record is held by Hearts (1969), a collection of 57 individual heart paintings, which sold at Sotheby’s New York in November 1989 for more than double their high estimate. The heart motif, which Dine first explored in 1966, became one of his most recognisable symbols - a template for exploring colour, texture, and emotional depth. It was never merely a Pop symbol, but rather a deeply personal emblem. When the set of paintings resold in 1996 for £279,400, their decrease in value reflected the broader market correction of the early 1990s rather than any decline in appreciation for Dine's work.

An expressive watercolour painting of a robe, tied with a belt, with sleeves bent as if the wearer has their hands clasped behind their back. The background is an inky grey, and the robe is watery red and orange, with most colour concentrated around the shoulders and drips of paint running down the front.

Red Robe (Self-Portrait Study) © Jim Dine 1964

2. £349,103 for Jim Dine's Red Robe (Self-Portrait Study)

Red Robe (Self-Portrait Study) (1964) secured this impressive result at Christie's New York in November 1989, just one day before the record sale of Hearts (1969), emerging from the prestigious Robert B. Mayer Collection. The empty bathrobe, which Dine adopted as a form of self-portraiture in 1964, became as significant in his oeuvre as the heart motif. Dine was inspired by an advert in The New York Times that featured a robe with the wearer airbrushed out - he remarked that when he saw the robe “it looked like me,” opening the door for his use of the robe as representative of the “everyman.”

Two tall heart-shaped sculptures on a textured black base. One heart turns slightly towards the other. Both are red, which fades into black towards the base, with richly textured surfaces.

Twin 6' Heart © Jim Dine 1999

3. £272,990 for Jim Dine's Twin 6' Heart

Breaking from the pattern of 1960s works dominating his top prices, Twin 6' Heart (1999) achieved this significant result at Phillips New York in June 2021. This monumental bronze sculpture, measuring almost six feet tall and in an edition of just six with four artist proofs, demonstrates Dine's successful translation of his signature motif into new dimensions and materials. He began producing tabletop sculptures and large-scale installations in the 1980s, but had been incorporating three-dimensional elements into his painted canvases before this.

A fence made of canvas and branches. The branches form the fence posts, while the canvas between depicts colourful abstract hearts.

The Fence, Sydney Close © Jim Dine 1982