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Fernand
Leger

Fernand Léger revolutionised modern art with his vibrant, mechanistic abstractions and Cubist influence. If you’re looking for original Fernand Léger prints and editions for sale or would like to sell, request a complimentary valuation and browse our network’s most in-demand works.

Fernand Leger art for sale

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Biography

Born in Normandy in 1881, Léger's early pursuits were far removed from the artistic career he would eventually establish. Apprenticed to an architect in Caen, Léger developed a fascination with the Parisian avant-garde. He subsequently moved to Paris, where his formal education in art began at the École des Arts Décoratifs and the Académie Julian. It was here that he immersed himself in the emerging currents of art that would shape his distinctive style.

Léger's approach took a dramatic turn with his exposure to Cubism, which significantly influenced his early paintings. However, it was the advent of World War I that formalised his unique approach. The mechanical world of the battlefield, with its confluence of man and machine, informed the cylindrical shapes that became synonymous with his version of Cubism, Tubism.


Throughout the 1920s and 1930s, Léger's work evolved into a celebration of the modern industrial age. He believed art should be accessible and resonate with the working class. This ethos led to his involvement in various collaborations, including set and costume design for film projects, which reflected his commitment to synthesising art and life.

Léger's output was prolific and diverse, but his dedication to depicting the rhythm and energy of the modern era remained constant. His murals and large-scale paintings, such as The City, depicted urban landscapes, capturing the fragmentation and sensory overload of contemporary life.

Léger's ascent was marked by pivotal exhibitions and collaborations that solidified his reputation as a revolutionary artist. His participation in the Salon des Indépendants and Salon d'Automne in Paris were critical in his early exposure to avant-garde circles. Notably, his 1912 exhibition at the Salon d'Automne is remembered for the debut of his distinct brand of Cubism, which drew both acclaim and controversy from critics and peers alike, positioning him as a leader in pushing the boundaries of traditional art forms.

​​Léger's collaboration with Swiss-French architect Le Corbusier on the Pavillon de l'Esprit Nouveau for the Exposition Internationale des Arts Décoratifs showcased his commitment to integrating art within everyday life, influencing the modernist movement in architecture and design. His international exhibitions not only broadened his influence across the Atlantic but also underscored his impact on the trajectory of modern art.

A Cubist painting with a rhythmic arrangement of roughly-coloured angular shapes in red, blue, yellow, and white. The red shapes are mostly in the foreground. Some shapes interlock, while others overlap. The focus appears to be on contrasting colour with the white background, and contrasting curves with straight lines.

Contraste De Formes © Fernand Léger 1913

1. £47.3M for Fernand Leger's Contraste De Formes

Contraste De Formes (1913) achieved Léger's current auction record when it sold at Christie's New York in November 2017. Part of his groundbreaking Contrast of Forms series, this oil painting exemplifies Léger's pivotal contribution to abstract art through its bold juxtaposition of geometric forms and colours that transcend formal representation. It was created before Léger's frontline service in World War I, and demonstrates his early interest in reducing objects to their essential geometric components - a concept that would become central to his practice. Its exceptional sale price highlights the market's recognition of Léger's profound influence on the development of abstraction and his position alongside Picasso and Braque in revolutionising modern art.

A Cubist painting with predominantly blue, white, and grey geometric forms. The fragmented shapes subtly suggest a seated figure through overlapping planes and angular elements. The composition balances curved and straight lines, creating a sense of volume despite the flattened perspective. Each shape is given general shading to add depth.

La Femme En Bleu © Fernand Léger 1912-13

2. £17.7M for Fernand Leger's La Femme En Bleu

La Femme En Bleu (1912-13) achieved this result at Sotheby's New York in May 2008 - a record for Léger that held for almost a decade. This painting represents Léger's transition into analytical Cubism with his distinctive emphasis on volumetric forms. Unlike the flattened planes favoured by Picasso and Braque, Léger maintained a sense of three-dimensionality in his Cubist compositions. The painting features a woman seated in a chair, abstracted into a series of cylindrical and circular shapes that demonstrate Léger's interest in reducing the human figure to its essential components. Created shortly after his exposure to aviation design at the 1912 Salon d'Automne, the piece shows his developing fascination with mechanical aesthetics that would become his signature.

A Cubist interior scene featuring three stylised figures with simplified, rounded forms. The composition includes furniture elements, including a small red table and a yellow and blue sofa. A bright yellow, red, and blue patterned background creates contrast with the neutral tones and black hair of the figures. They appear to be eating breakfast.

Le Grand Déjeuner © Fernand Léger 1921

3. £12.6M for Fernand Leger's Le Grand Déjeuner

Le Grand Déjeuner (1921) sold at Christie's New York in May 2018, securing its place as one of Léger's most significant post-war paintings to appear at auction. The painting's title, “The Big Breakfast,” references traditional leisurely meals and a traditional subject for art at the time. The period following World War I represented Léger's engagement with le rappel à l'ordre ("the call to order"), a movement in French art that sought to restore classical order after wartime chaos. However, Léger interpreted this return to order through his unique lens, creating figures with tubular forms that echo machine parts while maintaining human gestures. This fusion reflects his belief that everyday modern life, like having breakfast, required new representation in art - one that acknowledged the growing influence of machinery in everyday experience.

A Cubist painting with fragmented geometric shapes in teal-green, red, and blue. The composition features overlapping transparent planes, creating a sense of movement and depth. Small colourful elements are distributed throughout the canvas in a rhythmic pattern, with white areas providing contrast to the coloured forms.

Le 14 Juillet © Fernand Léger 1912-13