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Bernard
Buffet

Bernard Buffet, renowned for his expressive, angular imagery, is a cornerstone of post-war French art. His evocative works, often sombre and brooding, are highly sought after by collectors and investors. If you’re seeking Bernard Buffet original prints and editions for sale or wish to sell, request a complimentary valuation and explore our network's most in-demand pieces.

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Biography

Born in Paris on July 10, 1928, Buffet's propensity for art was evident from his early years. He studied at the École Nationale Supérieure des Beaux-Arts, where he honed his distinct style that would later define his oeuvre. His talent was promptly recognised when, at the age of 20, he had his first solo exhibition, which was a resounding success and launched his career. Buffet's early acclaim was further cemented when he was awarded the prestigious Prix de la Critique in 1948, sharing the prize with another artist.

Buffet's artistic development unfolded against the backdrop of post-war Europe, where his work seemed to mirror the collective despair and disillusionment of the time. His most notable periods include the Horror of War series, reflecting on the tragedies of conflict, and his Clown series, which delved into the complex interplay of humour and melancholy. Throughout his career, Buffet remained committed to figurative painting, despite the dominance of abstract movements, which set him apart from many of his contemporaries.

His work extended to various themes and subject matters, including religious scenes, landscapes, still lifes, and portraits. Buffet's series depicting the life of Christ in the late 1950s was one of his most profound contributions, offering a stark and riveting interpretation of the traditional biblical narrative. His prolific output also encompassed impressive lithographs and illustrations for books, showcasing his versatility as an artist.

Bernard Buffet's career was marked by numerous exhibitions across the globe, with his works being showcased in leading galleries and institutions. His art was widely collected, and he gained notoriety not only in France but also in Japan, where he enjoyed a particularly fervent following and where the Bernard Buffet Museum was inaugurated in 1973, dedicated exclusively to his works.

Despite facing criticism from some quarters for his unyielding adherence to figurative art, Buffet's legacy is that of a defiant and original voice in the modern art scene. His influence can be seen in the subsequent generations of artists who have been drawn to the emotive power and raw intensity of his work. Bernard Buffet passed away on October 4, 1999, leaving behind a vast and impactful body of work that continues to provoke thought and stir emotion in the viewers, ensuring his place in the pantheon of great 20th-century artists.

A theatrical scene depicting two elongated, melancholic clown figures on a stage. One plays a saxophone while sitting, dressed in green with yellow trousers. The other stands playing an accordion, wearing a blue dress with pink stockings. Both have pale faces with thin features, sad expressions, and distinctive hats. The background features wooden panelling and purple stage curtains. A white die sits on the tiled floor in the foreground.

Les Clowns Musiciens, Le Saxophoniste Et L'Accordéoniste © Bernard Buffet 1991

1. £1.3M for Bernard Buffet's Les Clowns Musiciens, Le Saxophoniste Et L'Accordéoniste

Les Clowns Musiciens, Le Saxophoniste Et L'Accordéoniste (1991) achieved a record for Buffet’s work when it sold at Christie's London in June 2016 for £850,000. Five years later, in December 2021, it broke its own record when it sold at Christie’s Hong Kong for £1.3 million - making it the first Buffet painting to break the £1 million mark. Its popularity is no surprise. It exemplifies Buffet's most commercially successful subject matter - the sad performers of the circus - rendered in his unmistakable style. The melancholic expressions of his performing subjects reflected Buffet’s own mental health experiences throughout his life, and the performances that these experiences necessitated. The painting was completed in 1991, and stood in direct contrast with the rising popularity of abstract painting of the time. The painting's exceptional size, at almost 3 metres wide, and prime subject matter contributed to its record-breaking performance, cementing Buffet's position as one of the most commercially viable French artists of the post-war period.

A stark, linear rendering of the Eiffel Tower in black and white against a light background. The Tower dominates the left side of the composition, with detailed ironwork. In the foreground, vertical stalks of lilies with bright red blooms create a contrast against the architectural structure and an open yellow curtain on the left. The Seine bridge is visible in the foreground, with minimalist details of the Parisian landscape.

La Tour Eiffel Et Les Liliums © Bernard Buffet 1988

2. £840,770 for Bernard Buffet's La Tour Eiffel Et Les Liliums

La Tour Eiffel Et Les Liliums (1988) sold at Sotheby's in November 2022, representing one of Buffet's most enduring compositions - the Parisian cityscape centred on the Eiffel Tower. Buffet’s stark, linear, angular style was well-suited to architectural works, as this painting proves. But, while the addition of lilies in the foreground might have been an opportunity for contrast for his contemporaries, Buffet used them to exaggerate the angularity of the work. Even in the contrast between industrial structure and organic forms, Buffet’s style is distinctive. The Eiffel Tower appeared repeatedly in Buffet's oeuvre as both a symbol of modernity and a reflection of post-war French identity; however, this particular example has remained largely out of the public eye, selling only twice since its creation and never appearing at exhibitions.

A harbour scene featuring angular, stylised boats in a Mediterranean port. The foreground shows multiple white yachts and boats with geometric shapes and strong outlines. To the left of them stands a row of distinctively Mediterranean buildings with ochre and sienna façades. The sky is rendered in muted blue tones, getting darker as it goes up, creating a stark contrast with the bright harbour.

Saint Tropez, Le Port © Bernard Buffet 1993

3. £789,270 for Bernard Buffet's Saint Tropez, Le Port

Saint Tropez, Le Port (1993) sold at Ravenel International Art Group, Taiwan, in December 2020, setting a record at the time. This coastal scene is a rare example of Buffet’s interest in maritime subjects, featuring his angular depiction of boats in the harbour of the famous French Riviera resort town. It also incorporates brighter, more cheerful colours than most of his work, but the building storm in the sky reflects Buffet’s more typically angsty tone. This work's strong performance at a non-European auction house highlights Buffet's international appeal, particularly in Asian markets where his work has enjoyed significant appreciation. The artist's representation of Saint-Tropez connects to his personal life as well, as he owned property in the South of France for many years.

Two elongated clown figures rendered against a mustard-yellow background. Both clowns have gaunt, melancholic faces and wear distinctly patterned clothing - one in a checkered suit, the other in a green costume with decorative dice holding a golden trumpet. They stand close together and look at each other, both defined by sharp black outlines typical of Buffet's style.

Deux Clowns Trompette © Bernard Buffet 1989

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