Site Avec Trois Personnages © Jean Dubuffet 1976
Jean Dubuffet
27 works
Key Takeaways
Jean Dubuffet's prints demonstrate strong market performance, with individual works fetching between £1,000 and £60,000, while rare collections have achieved over £120,000. His most coveted series, including Nez Carotte (1961-63), consistently command high prices. Authentication requires expert examination of paper quality, printing techniques, and provenance, referencing Sophie Webel's catalogue raisonné. Dubuffet's experimental approach, including unconventional materials and techniques, necessitates specialised evaluation. Condition assessment is crucial, particularly for his vibrant lithographs and silkscreens. Strategic timing of sales, such as during major retrospectives or following significant anniversaries, can significantly impact returns, as seen in the surge of high-value sales after his 120th birth anniversary in 2021.
Jean Dubuffet founded the Art Brut, or “raw art,” movement, adopting an unconventional approach to materials and techniques that broke away from the conventions of traditional art. Much like his paintings and sculptures, his printmaking practice embodies his rebellious spirit and fascination with raw, unrefined artistic expression. This guide aims to navigate the market for Dubuffet's prints, offering insights into valuation, authentication, and selling strategies for those looking to sell a Dubuffet print.
Dubuffet's artistic vision was shaped by his interest in art created outside the boundaries of official culture, including works by children, psychiatric patients, and untrained artists. This influence is evident in his printmaking, which often features primitive-style figures, graffiti-style mark-making, naive portraiture, abstract landscapes, and textural experiments. Throughout his career, Dubuffet explored various printmaking techniques, including lithography, silkscreen, and etching, often pushing the boundaries of these mediums to achieve unique visual effects. His penchant for experimentation, combined with his collaborations with notable print studios, galleries, and publishers, has meant that the essence of Art Brut philosophy still influences the art world today.
How Much Do Jean Dubuffet Prints Sell For?
The Jean Dubuffet print market reflects the enduring allure of his unconventional aesthetic. Valuations for his prints are varied, influenced by factors such as scarcity, preservation, and the significance of specific print series.
One of the most sought-after prints by Dubuffet is Nez Carotte (1961-63), an edition of 50 lithographs depicting a collage-like cartoon of a clownish figure. In the past few decades, it has achieved some of Dubuffet’s highest auction prices, including £61,100 in 2009 and £55,000 in 2017. The popularity of Dubuffet’s clownish portraits can also be seen in the 2011 sale of Sourire (1961) for £105,000 - an example of Dubuffet’s ‘deconstructed’ printing technique, whereby all layers are printed individually and then together. Like many other Dubuffet prints created in this way, this print edition was limited to only three, fuelling its popularity. The record price achieved by a collection of Dubuffet prints was, however, £120,800, when Personnage Au Costume Rouge (1961) sold alongside 14 progressive colour proofs of the same piece.
The L'Hourloupe series, which Dubuffet initiated in the 1960s and pursued for over a decade, has also garnered significant attention in the print market. Examples include Site Avec Trois Personnages (1976) and Quatre Personnages (1977). These distinctive pieces, characterised by interlocking red, white, and blue cellular forms, regularly achieve five-figure sums for individual prints, with rare examples surpassing the £20,000 mark. In 2021, a collection of three Présences Fugaces prints, in the same L’Hourloupe style, (Exaltador, Protestator, and Objectador (all 1973)) sold for £50,219.
Other popular bodies of work include the Phénomènes lithographs, such as Le Noctambule (1961), created between 1958 and 1962, inspired by natural textures and phenomena. Prints from Dubuffet's earlier periods, particularly those dating from the 1940s and early 1950s, often command premium prices due to their relative scarcity. A collection of lithographs from the mid-1940s, for example, sold for £50,000 in 1997, highlighting the strong demand for works from this formative period in Dubuffet's career.
Limited editions with smaller print runs typically fetch higher prices, reflecting their exclusivity. Dubuffet's experimental nature in printmaking also resulted in unique variations and artist's proofs, which can be especially prized by discerning collectors.
How Do You Authenticate A Jean Dubuffet Print?
Establishing a clear chain of ownership and exhibition history forms the foundation of the authentication process. Any supporting documentation, such as certificates of authenticity, gallery receipts, or correspondence with Dubuffet or his studio, can provide crucial evidence of legitimacy.
The technical examination of a Dubuffet print demands the expertise of a specialist well-versed in the artist's diverse printmaking techniques. This analysis typically involves a close study of the paper quality, ink composition, and specific printing method employed. Dubuffet often printed straight onto stretched canvases. Alternatively, he used high-quality papers, such as Arches, Montval wove, and Dutch Etching paper, with archival inks, the characteristics of which can be verified to align with the artist's known practices.
Dubuffet's experimental nature in printmaking adds a layer of complexity to the authentication process. His prints may incorporate unconventional materials or techniques that require specialised knowledge to identify and verify. With print editions as small as just three prints (such as with L’Enfle-Chique III (1961)), less information is sometimes available, but patterns, once identified, are clearer within the editions. The printing process itself, whether lithography, silkscreen, etching, or woodcut, should align with Dubuffet's documented practices for the specific period in which the print was created.
The catalogue raisonné compiled by Sophie Webel and published by the Fondation Jean Dubuffet serves as an indispensable resource for authentication. This comprehensive, multi-volume catalogue meticulously documents Dubuffet's entire printed output, providing detailed information on techniques, editions, and variations. Cross-referencing a print with this authoritative source is a critical step in the verification process.
Throughout his career, Dubuffet collaborated with various print studios and publishers, each leaving its distinctive mark on the resulting works. Printers and publishers such as Pace Editions will have historical records on the works they were involved in creating. Each will also have its own nuances of production, inkstamps, embossed stamps, or watermarks that can be invaluable for accurate authentication and valuation.
Edition and Signature
Dubuffet maintained a relatively consistent approach to signing and numbering his prints throughout his career. His signature typically appears in pencil on the lower right of the print, often accompanied by the year of creation. On some prints, such as Nez Carotte (1961-63), the title of the piece sits in the centre of the lower margin. The edition number is usually located in the lower left, expressed as a fraction (e.g., 40/50).
The size of Dubuffet's print editions varied considerably, ranging from highly limited runs of three or 10 to larger editions exceeding 100 prints. Artist's proofs, typically marked 'E.A.' (épreuve d'artiste), are particularly coveted by collectors; though they do not exist for every edition. Where artist’s proofs were made, they can be as many as 20 in number.
Browse Jean Dubuffet prints on the Trading Floor and find out more about the print market growth on the MAB100 Print Index.
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Has Your Jean Dubuffet Print Been Kept In Good Condition?
Dubuffet's experimental approach to printmaking is evident in his use of lithographic transfer papers and unique textural elements. When evaluating such prints, it's essential to verify that these distinctive features remain intact. Any signs of flaking, cracking, or material separation can significantly compromise both the print's value and its artistic integrity.
Examine the paper for discolouration, foxing (reddish-brown spots caused by mould or chemical reactions), or acid burn, particularly along edges and corners. Despite Dubuffet's use of high-quality, handmade papers, improper storage can lead to degradation.
Dubuffet's vibrant colours, especially in lithographs and silkscreens, are susceptible to fading from light exposure. Inspect the surface under raking light for irregularities, scratches, or indentations. Pay special attention to edges and corners for wear. The most effective way of preserving your print’s condition is to store it in an acid-free portfolio, away from sunlight and fluctuating humidity. If framing, use UV-protective glass and acid-free matting.
For a definitive assessment, consult a paper conservator specialising in modern prints. They can provide a detailed condition report and advise on conservation measures. While minor imperfections may be acceptable given the age of some prints, significant damage can substantially decrease value in the discerning collector's market.
For advice on how to get started with condition assessment of your Jean Dubuffet print, contact MyArtBroker.
When Is The Best Time To Sell My Jean Dubuffet Print?
Determining the optimal moment to sell a Jean Dubuffet print requires a keen awareness of market dynamics and external factors that can influence demand and pricing. While Dubuffet's market has demonstrated consistent growth over recent decades, specific events and trends can create particularly favourable selling conditions.
Major exhibitions and retrospectives dedicated to Dubuffet's work often catalyse increased interest and media attention, potentially driving up demand and prices for his prints. The comprehensive Jean Dubuffet: Brutal Beauty exhibition at London's Barbican Art Gallery in 2021, for example, reignited international focus on Dubuffet's work. Similarly, high-profile exhibitions such as Soul of the Underground at MoMA in 2015 always garner valuable attention from collectors, creating an ideal climate for selling.
Significant anniversaries related to Dubuffet's career can also present opportune moments for selling. The year 2021, marking the 120th anniversary of Dubuffet's birth, saw a surge in exhibitions and publications celebrating his life and work. Following this anniversary, the auction market saw three print sales of over £50,000 in 2021-22. These milestone events often rekindle interest in the artist's entire output.
It’s important to look beyond trends specific to Dubuffet and assess the markets for post-war European art and Art Brut, too. Periods of heightened interest in these movements can have a positive impact on Dubuffet’s market. We recommend closely monitoring sales results and market reports from leading auction houses and galleries specialising in post-war art. These resources can provide valuable insights into which series or periods of Dubuffet's printmaking are currently generating the most interest among collectors. For instance, a noticeable uptick in demand for Dubuffet's early lithographs from the 1940s and 1950s might signal an opportune moment to bring similar works to market.
MyArtBroker offers advanced art tech tools to help you determine the optimal time to sell. Our MyPortfolio service features an AI-powered value indicator that provides real-time valuations of individual prints based on both public and private sales data. Combined with our complimentary valuations, we can help ensure your print achieves maximum value by selling at the perfect moment.
Ways to Sell with MyArtBroker
At MyArtBroker, our specialists provide a free market valuation for your artwork, offering a level of transparency unmatched in today’s market. In addition to our valuations, through our online Trading Floor, you can access real-time insights into works by the artist you’re looking to sell, including pieces that are most in demand, wanted, or currently for sale: allowing sellers to trust the valuation that they are provided.
Additionally, the MyPortfolio collection management service grants you free access to our comprehensive print market database. This resource allows you to review auction histories for the specific work you’re looking to sell, including hammer prices, values paid, and seller returns. In a fluctuating market, this historical data is invaluable - and often comes at a cost elsewhere - offering insights into past and current values to further inform decisions based on market timing and conditions. In addition to our specialists guidance, you have concrete data.
Our approach is tailored to align with the unique attributes of each artwork, and offer optimal results:
How a Private Sale Works
Unlike peer-to-peer platforms, which lack specialised expertise, authenticity guarantees, and legal infrastructure for high-value sales, MyArtBroker operates through private sales ensuring a secure and seamless transaction process. We charge sellers 0% to sell, and take a small commission from our buyers, absorbing essential aspects including insurance, shipping, and marketing - at no extra cost to the seller. There is no magic to it, we’re a lean specialised business with less overheads than traditional models meaning we can do better for our clients.
Our revenue is derived from buyer commissions only, which are individually negotiated upon offer, and we aim to give the client the best return in the market place. By focusing on high-value artworks in excess of £10,000, we provide specialised care and expertise, ensuring each piece receives the attention it deserves, while simultaneously maximising returns with our clients. For works that fall below this threshold speak to the team about a recommendation, we offer market advisory free of charge. Our goal at MyArtBroker is to offer a seamless solution, setting us apart in the art market.
Advisory and Recommendations
In cases for artists and artworks, where our existing network of collectors isn’t the best fit due to value, medium or condition we collaborate with reputable partners to facilitate its sale. Carefully tailoring your artwork to the right party. This tailored approach is especially important as it considers the unique attributes of each artwork, providing sellers with the best possible outcome in today’s shifting art market. You can discuss this approach with us without charge as part of our advisory service.
Such recommendations are on a case-by-case basis, and ensures broader exposure and takes advantage of our knowledge of where a work will do best.
Jean Dubuffet Collection Management with MyPortfolio
In addition to our live trading floor, MyArtBroker's MyPortfolio serves as a collection management system, empowering collectors to curate and oversee their prints and editions collection. This feature grants users access to our print market database, uniquely tied to our proprietary algorithm, SingularityX. This algorithm scans and analyses both public auction and private sales data to determine real time valuations of individual print works, factoring in various aspects such as condition, colour, and other factors affecting value.
Read What Powers MyArtBroker's Technology? In Conversation With Stuart Jamieson, Financial Quant to learn more about our algorithm.
