The Arrival Of Spring In Woldgate East Yorkshire 25th February 2011
The Arrival Of Spring In Woldgate East Yorkshire 25th February 2011
Signed Print
David Hockney
£60,000-£90,000
$120,000-$180,000 Value Indicator
$110,000-$160,000 Value Indicator
¥550,000-¥820,000 Value Indicator
€70,000-€110,000 Value Indicator
$590,000-$880,000 Value Indicator
¥11,690,000-¥17,530,000 Value Indicator
$80,000-$110,000 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Digital Print
Edition size: 25
Year: 2011
Size: H 140cm x W 106cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| November 2023 | Bonhams Online - United Kingdom | The Arrival Of Spring In Woldgate East Yorkshire 25th February 2011 - Signed Print | |||
| September 2023 | Phillips London - United Kingdom | The Arrival Of Spring In Woldgate East Yorkshire 25th February 2011 - Signed Print | |||
| May 2023 | Christie's New York - United States | The Arrival Of Spring In Woldgate East Yorkshire 25th February 2011 - Signed Print |
Meaning & Analysis
The Arrival Of Spring In Woldgate East Yorkshire 25th February 2011 is a digital print from David Hockney's 2011 iPad series. This vibrant work captures a forest scene with a distinctive red tree stump, signalling early spring in East Yorkshire. Hockney's innovative use of digital media in this series marks a significant shift in his artistic approach, demonstrating his adaptability to new technologies.
In this digital composition, Hockney employs his iPad to create a detailed representation of nature's awakening. The artwork features a striking red tree stump set against a backdrop of emerging green foliage, with nuanced blue and brown tones interwoven throughout. Hockney's bold lines and varied colour palette imbue the scene with a sense of movement, effectively capturing the subtle changes of the season.
The creation date (25th February) is significant, as it forms part of a chronological documentation of spring's arrival. This methodical approach allows for a detailed study of gradual changes in light, colour, and vegetation over time. Hockney's choice to use an iPad for this series reflects his ongoing interest in adapting new technologies for artistic expression, a theme present throughout his career.
