Name: Henry In His Office
Brand: David Hockney
Rating: 4.9 (228 reviews)

Track auction value trend

The value of David Hockney’s Henry In His Office (signed) is estimated to be worth between £1,900 and £2,850. This lithograph print, created in 1976, has shown consistent performance in the market, with an average annual growth rate of -4%. This work, with an auction history of four total sales since its entry to the market in March 2016, offers a rare opportunity for collectors. The edition size of this artwork is limited to 20.

Auction Date

Auction House

Artwork

Hammer Price

Return to Seller

Buyer Paid

November 2023

Sotheby's Online - United Kingdom

Henry In His Office - Signed Print

November 2017

Swann Galleries - United States

Henry In His Office - Signed Print

October 2017

Wright - United States

Henry In His Office - Signed Print

March 2016

Christie's New York - United States

Henry In His Office - Signed Print

Meaning & Analysis

Henry In His Office (1976) by David Hockney is a signed lithograph print on a handmade Kurodani Japanese paper depicting Henry Geldzahler, the artist’s lifelong friend and contemporary art curator. New York Painting and Sculpture: 1940-1970, a key exhibition in Hockney’s career, was organised by Gelzahler who was the curator at the Metropolitan Museum of Art from 1960 until 1977. The range of styles and techniques in which Hockney depicted Geldzahler expanded consistently throughout the years. Looking at the 1976 print alongside Henry Gelzahler And Christopher Scott (1969), Looking At Pictures On A Screen (1977) or The Conversation (1980) offers insight into the close artistic and personal friendship as well as the evolution of Hockney’s idiom as he returned to his favourite subjects.

In this portrait, Hockney renounces his recognizable use of crisp linear outlines associated with the naturalist tradition of representation. Instead, the friend’s likeness is configured from a series of marks, blotches, and transparent black-ink stripes resembling the Oriental brush strokes. In this print, the effect achieved by Hockney’s use of tusche, a diluted form of lithographic ink, is one of fluidity. Given their irregular shape and varied intensity of the ink, the stripes seem to flow down from the sitter’s shirt. While the sitter’s body language is relaxed, his facial expression appears earnest. As the man’s gaze is focused at an indefinite point in front of him, a rather nostalgic demeanour seems to reflect the moment of sinking in thought. Depicting the man against a plain background, the print displays an extreme simplicity reflective of Hockney’s attempt to orient the viewer’s attention towards the sphere of emotions and feelings experienced by his sitters.