Fate
Fate
Signed Print
Damien Hirst
£6,000-£9,000
$11,500-$17,000 Value Indicator
$10,500-$16,000 Value Indicator
¥50,000-¥80,000 Value Indicator
€7,000-€11,000 Value Indicator
$60,000-$90,000 Value Indicator
¥1,170,000-¥1,750,000 Value Indicator
$7,500-$11,500 Value Indicator
AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.
There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.
Medium: Aquatint
Edition size: 45
Year: 2009
Size: H 30cm x W 25cm
Signed: Yes
Format: Signed Print
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Auction Results
| Auction Date | Auction House | Artwork | Hammer Price | Return to Seller | Buyer Paid |
|---|---|---|---|---|---|
| September 2021 | Bonhams Knightsbridge - United Kingdom | Fate - Signed Print | |||
| November 2010 | Swann Galleries - United States | Fate - Signed Print |
Meaning & Analysis
Fate is a print from 2009 by Damien Hirst that shows a bright green butterfly set against a stark, black backdrop. The butterfly appears luminous against the dark background and is visually striking. Shown with its wings outspread and in the centre of the composition, the butterfly is a classic motif within Hirst’s artistic oeuvre.
The butterfly motif is a prominent figure that Hirst has used throughout his career to bring together themes around morality, life, love, faith and aesthetics. Speaking of his obsession with butterflies Hirst has explained, “I think rather than be personal you have to find universal triggers: everyone’s frightened of glass, everyone’s frightened of sharks, everyone loves butterflies.”
Reminiscent of the work of Pop artist Andy Warhol, Hirst has created many prints like this with the same subject and composition, but with varying colour combinations. Rendering the fine detail of the butterfly wings and setting this against the stark colour background, Hirst produces an image that finds universally engaging triggers. This contrast between bold colours used for the butterfly wings and the realism in the detail, plays with Hirst’s concern with facts and truth that images are assumed to depict.