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Coloured Greys 1 - Signed Print by Bridget Riley 1972 - MyArtBroker

Coloured Greys 1
Signed Print

Bridget Riley

£11,000-£17,000Value Indicator

$22,000-$35,000 Value Indicator

$20,000-$30,000 Value Indicator

¥100,000-¥160,000 Value Indicator

13,500-21,000 Value Indicator

$110,000-$170,000 Value Indicator

¥2,100,000-¥3,240,000 Value Indicator

$14,000-$21,000 Value Indicator

14% AAGR

AAGR (5 years) This estimate blends recent public auction records with our own private sale data and network demand.

There aren't enough data points on this work for a comprehensive result. Please speak to a specialist by making an enquiry.

Medium: Screenprint

Edition size: 125

Year: 1972

Size: H 74cm x W 69cm

Signed: Yes

Format: Signed Print

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Track auction value trend

The value of Bridget Riley’s Coloured Greys 1 (signed) is estimated to be worth between £11,000 and £17,000. This screenprint has shown consistent value growth, with an average annual growth rate of 14%. Over the past 12 months, the average selling price was £8,828, across a total of 3 sales. In the last five years, the hammer price has ranged from £3,300 in July 2020 to £12,500 in April 2021. Since its first sale in October 2002, this artwork has been sold 11 times at auction. The edition size of this artwork is limited to 125.

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Auction Results

Auction DateAuction HouseLocation
Hammer Price
Return to Seller
Buyer Paid
July 2024Forum Auctions London United Kingdom
April 2024Lyon & Turnbull Edinburgh United Kingdom
April 2024Brunk Auctions United States
September 2022Phillips London United Kingdom
April 2021Sworders United Kingdom
July 2020Tennants Auctioneers United Kingdom
September 2016Sotheby's London United Kingdom

Meaning & Analysis

The print plays upon Riley’s consideration of art as a form of optical science, an idea which the artist acquired during her fine art education, and which had come down to her from the works of Pointillist French artist Georges Seurat. Like Seurat, Riley developed a striking interest in the ways in which the formal elements of painting, colour and form, which together conjoin to create an artistic narrative, could be dissected, abstracted and used to induce different optical illusions and manipulations of the viewer’s visual field, thereby activating the artwork through an illusory sensation of movement. The repetition of the geometrical pattern of the print mischievously induces in the beholder the sensation that the lines are moving, a technique which also endows the art piece with a sense of dynamism and three-dimensionality.

  • Bridget Riley, a leading figure in the British Op-Art movement, has captivated audiences with her abstract paintings and prints that challenge visual perception. Born in London, 1931, Riley’s artistic journey evolved from semi-Impressionist beginnings to geometric mastery, significantly influencing modern art. Her groundbreaking artworks, from Movement In Squares to the vibrant Stripes series, explore optical phenomena and colour dynamics, creating mesmerising, dizzying effects. With a prolific career spanning over seven decades, Riley’s innovative designs and perceptual disruptions continue to shape contemporary British art, solidifying her enduring influence in the realm of abstract and modern art.